Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

Interviews and overview of the making of the original 1967 James Bond film.

This is an all new feature length documentary, with interviews from almost everyone involved with the production of the film. Gilliam never shies away from the truth, even when it comes to himself, and so this documentary is self-effacing and refreshingly frank. The documentary details not only the battles Gilliam had with Columbia in getting the film finished and released, but also the imagination and innovation that went into the production.

A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.

A behind the scenes look at the James Bond film "Diamonds are Forever"

Documentary on the career of director Terence Young.

A behind the scenes look at the James Bond film Dr. No.

A look at the Oscar-winning production designer.

The story of Harry Saltzman, producer of the first James Bond movies.

Documentary discussing the many songs featured in the James Bond films

A behind the scenes look at the James Bond film "Live and Let Die"