Three alternative comedians get involved in a pyramid-selling organization, Pathway, in order to finance their act. They gain great success by deploying their skills as entertainers, only to eventually discover the sinister purpose behind the Pathway organization.

Alan and Sylvia fall in love and Alan gains a renewed sense of purpose. He begins to hope for an eventual release on licence. However both he and Sylvia have to face the fact that, for the foreseeable future, they cannot enjoy any physical intimacy. They decide to treat their affair as a long Victorian courtship.

Benedick and Beatrice fight their merry war of words. But when Beatrice's friend, Hero, is humiliatingly jilted by Benedick's best friend, Claudio, Benedick has to choose which side he's on. But unknown to all, Claudio's been tricked by the bastard Don John, and (unfortunately), it's up to Dogberry and Verges to solve the case.

100 years in the future: Tom is both bored and worried in the humdrum, violent times. Also he is unable to remember what his job is and thus decides to leave. But everyone keeps telling him that is impossible ...

When a nightclub owner buys a derelict dolphinarium, he and a young woman seem to be haunted by the ghost of Buddy Boy, the star attraction. Created as an episode of Nigel Kneale's "Beasts" horror anthology miniseries.

A suburban couple are held under siege by a pack of frighteningly intelligent rats.

Beasts is a series of six television plays by Manx writer Nigel Kneale, unconnected but for a bestial horror theme, made by ATV for ITV in the United Kingdom and broadcast in 1976.

Beasts is a series of six television plays by Manx writer Nigel Kneale, unconnected but for a bestial horror theme, made by ATV for ITV in the United Kingdom and broadcast in 1976.

Reprising the television series roles which first made them household names, Richard Beckinsale and Paula Wilcox star as Geoffrey Scrimshaw and Beryl Battersby, a hesitant, inexperienced, young couple attempting to negotiate the sexual minefield of the ‘permissive’ society. This big-screen transfer of Jack Rosenthal’s hugely likeable sitcom sees old-fashioned girl Beryl continuing to slap down the advances of her frustrated boyfriend, whose clumsy attempts to initiate ‘Percy Filth’ suggest he’s not quite up to speed himself! Like everyone else, Geoffrey and Beryl want to fall in love – or they think they do; like everyone else, since Adam and Eve. But Adam and Eve didn’t live in Manchester in 1972…

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.

In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

A 30-year-old man, who has been in a coma since birth, is finally restored to consciousness by a breakthrough brain operation. Although physically an adult, the man is "reborn" in the eye of an infant; the doctors caring for him must teach him to walk, talk and prepare for life in the outside world. Tension builds as he escapes from the hospital, wanders among people who do not realize his identity, and is hunted by the police.