Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

At the heart of the intriguing, entertaining, but at times difficult, tragicomic story is the Popović couple, behind whom 25 years of marriage have entered driven by student love and youthful enthusiasm, eager to succeed in a trivial society where anything is allowed. There was status, career and money.

Bogdan Dragović has returned from emigration, trying, for the sake of his son Vladimir, to re-establish ties with the Communist Party from which he was expelled as a Trotskyist.

The story takes place around 2001, which follows the last 48 hours of Slobodan Milošević's life together with his family at large until his arrest and subsequent extradition to The Hague.

Lack of money, inability to find a permanent job, living with parents or roommates, unsettled love relationships — this is how the life of most young people in Serbia could be described. Through the four friends' struggle with the life challenges, the series also tries to evoke the spirit of Belgrade today: it talks about those who live in it, those who leave it, but also those who return to it.

Kolja and Cveja, long-time friends and fellow actors are trying to cope with debt bondage, which led to Cveja's eviction from the apartment by the executor. Beside personal, family and business misfortunes, they will experience series of incredible events during one day. What will the next morning bring?

Mladen (44) Belgrade born, is a timeshare salesman at Montenegrin Holiday resort. He is having an affair with his colleague, Sonja (40), who is married to Metod (50) the chief sales manager who learns about his wife's infidelity. He assigns Mladen the toughest client - Omer, a Bosnian war veteran, who doesn't try to hide his aversion to Mladen. Everything becomes hopeless when Omer's three year old son Svendy falls over the edge of the hotel terrace and ends up in a hospital. Grim mood that prevails among the potential buyers is about to ruin the sales. Sonja and Metod blackmail Mladen to continue the sales at the hospital while Omer and his wife are waiting for their son's operation.

Nadia, an eighteen-year-old girl disappeared without a trace not having given any prior notice that she was going to do that. Her father, Svetozar goes in search of her without preconditions where he could find her. During that search he discovers the background of growing up in a big city and the world in which his daughter spends her time for which he himself had no idea that there was.

Jasna, a beautiful teenager, leads a crude life in post-war Serbia. She goes on a spree of sex, drugs and partying until she finds love and tenderness in a harsh environment.