An American journalist works for a French newspaper. He is writing an article about the reaction against people with AIDS, without knowing he is infected too. Once he finds out, he decides to cut off himself leaving his wife and daughter.

Third and final version of the La Cage aux Folles series has Renato's drag queen lover Albin learning that he can inherit a vast fortune from a distant relative. But the catch is that Albin must marry (a woman) and produce a heir within a year or the whole inheritance will be forfeited.

Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel.

Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.

Clumsy public security officer helps an adventurer (Laura Antonelli) to escape from Italy. In order not to undergo a punitive transfer to Barbagia, he goes back on the woman's trail to take her to prison.

Lizzy, a liberated American photographer, falls for narrow-minded journalist Paolo. Then finds she can't live with him or without him.

Summer Sunday at a small beach house at the coast of Rome. Many people and stories: women's basketball team, two sports-obsessed soldiers, two men with their girlfriends and the priest with a big secret, an elderly couple with their pregnant granddaughter, and engagemented couple wanting to have sex for the first time.

The family of a wealthy nobleman tries to take away his land away after learning that he is having an affair with an imaginary woman.

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

The uneventful lives of three young men who live in a small, poverty-stricken village in southern Italy.