In 19th century England, a noted brain surgeon rescues a former student from being hanged on a false conviction for murder, and spirits him away to an ancient, repurposed abbey far in the countryside. There, he connives his pupil into assisting him in mapping the functions of the various parts of the human brain, using living subjects who are under a terrible animation-suspending drug called "black sleep". Subsequently, the student, along with the daughter of one of the subjects, discover that most of these subjects have survived but are being kept in a dungeon-like cellar, in various stages of physical and mental derangement...

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Saloon entertainer Vermilion O'Toole and her former partner in crime Newt Cole escape from a train ride to prison and hide out in logging town Timberline. Meanwhile, the three sons of widower Will Hall come to town in search of a wife for their dad. Vermilion needs to lay low to escape the marshal, so she accepts the boys' offer to visit pioneer community Pine Grove. Once there, she annoys local Mrs. Grundys but eventually starts to fit in.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

A former housemaid now works as a confidence trickster, but her plans for a big job in California go awry.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Good Time Girl stars Jean Kent as incipient juvenile delinquent Gwen Rawlings. Sent to a home for "problem" girls, Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.

Romance in Rio for a girl of the embassy staff.

A young singer meets a man who is the victim of a kidnap plot, and is assumed by the gang to be his girlfriend.

A Royal navy Commander is tricked by a pretty girl who is working for the Nazis. She tricks him into revealing some military secrets and he is court martial. He vows to track her and her accomplices down.

Nazi spies infiltrate a British film studio with the intention of sending coded messages in the films they produce.

Wartime propaganda piece giving the warning "Be like Dad, Keep Mum". A gossipy housewife is overheard talking about what her son is doing by a Nazi spy.

Based on Aimee Stuart's play. Little Scots girl decides to use her inheritance for a "grand tour" of the Continent.

A young boxer falls in with a crooked fight promoter.

On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby's dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.

Arthur Tracy and Lilli Palmer star in this 1930's British romantic drama. With his voice faltering due to nerves, celebrated stage performer "The Street Singer" (Tracy) parts company with the theatre and goes to live in a gypsy camp where he meets and falls in love with Susan (Palmer), an attractive young woman who is unaware of his fame.

Variety performances by acts including the Albert Sandler Quartet, Betty Astell, Reggie Bristow's Band, the Modernique Quartette, Stanelli and Edgar, Terence McGovern's Band and Trio, the Nile Players, Phyllis Stanley, and Arthur Travers.