Deliberately Felliniesque, this surreal and uneven Canadian satire from iconoclastic French Canadian director Gilles Carle offers an episodic look into an anarchistic, metaphorical world filled with a bizarre assortment of weirdos, wackos and misanthropes. The story roughly centers on the adventures of Yo-Yo, a young woman who is first seen acting as a high priestess for a ceremony involving the miraculous healing powers of the little boy Alphonse.

At the trial of a judge who was found with a prostitute, a list of clients pops up. It contains the names of some very influential judges and politicians. Then, dead bodies and death threats erupt. Jacques is the trial judge and his own life seems to be in danger...

Charles Renard, a police officer who has lost his hearing following an ear injury during an operation, is entrusted upon his return to work with the investigation of credit card thefts committed by a woman who uses newspaper classified ads to lure her prey.

Soho, an aspiring young woman of about 30, lives on the fringe with all those who, like her, believe that one day they will be a famous writer, a star dancer or a famous director. While waiting for that day, they take up yoga, positive thinking, or various forms of electronic macramé. One hot summer evening, Soho meets 18-year-old Choubie, the other generation with a bright future ahead of her. At 102o, in the shade, in a suburban basement, Soho realizes that she is no longer young, almost poor, and that meditation has not opened the doors of any paradise, even earthly.

La petite vie was first a stage sketch of the comedy duo Ding et Dong, formed by Claude Meunier and Serge Thériault, and later a hit Quebec television sitcom aired by Radio-Canada from 1993 to 1999. In total, 59 episodes were created plus 3 specials, two for Christmas and one for New Year's 2000. It is to date the only Canadian TV show to ever gather more than 4 million viewers, a performance it achieved twice in 1995.

In 1955 Florida, a Korean vet has a breakdown and is incarcerated in a "maximum security" mental health prison, where patients are abused.

The title of this French-Canadian film translates to In the Belly of the Dragon, but don't assume that it's just another kung fu epic. Rather, the film is a likeable mixture of science fiction and humor, centered around the money-making schemes of star David La Haye. Unable to make ends meet with his minimum-wage job, La Haye hires himself out as a guinea pig to genially loopy scientist Marie Tifo. It is the doctor's contention that a person's intelligence can be artificially increased. La Haye proves her right...up to a point, that is. Extremely popular in Canada, Dans le Ventre du Dragon has yet to receive proper distribution in the States.

A woman agrees to a marriage of convenience with a refugee.

A government ministry's fast-rising head of security asks a shadowy fixer, Meursault, to steal a bag from an armored truck. Meursault goes to Théo, a former night club owner, in prison for two years on false charges, who's being released in exchange for information about Montreal's underworld. Théo agrees to steal the bag for money and safe passage to the US for himself and his son Robin. Théo brings in two helpers, Gilder, ex-con and set designer, and Roxanne, Gilder's friend, a tough-minded petty thief. Their elaborate plan blows up when a guard, Marcel, takes his responsibilities too seriously. What happens to father and son? Will any of the thieves escape?

Florent Boissonneault and his young wife Elise always had one dream: own a restaurant. When they meet a strange old man, Egon Ratablavasky, their dream become reality, but only to quick turn into a nightmare when they sadly discover they had been tricked by him, and lost everything. But their dream is not dead, and a strong desire of avenging soon bring them back in business, with the help of an homeless kid, a french cook and a friendly journalist. But the old man still had trick on for them his bag...

A mentally deficient man spends New Year's Eve in front of the television in his dingy rooming house, in the company of his landlord. The two spend the evening drinking and watching a ten-year summary of global catastrophes before the ominous programming is capped-off with well wishes for the New Year.

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

A friendship between a good man with bowling as his only passion and a queer albino.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

A pleasant fantasy about the setbacks experienced by a young man who loves costumes. His wife having left him, he goes after her to live some rather funny adventures.