A big-time social media influencer plunges headfirst into the lives of four women fueled by a thirst for the truth about her birth — and revenge.

After his grandfather's death, a man travels with his wife and kids to his hometown, where chaos ensues with his relatives over the inheritance.

The story of love struggles of 9 different couples, connected only by the complexity of human relationships.

Natalia is a school teacher who wants to dedicate herself to local tourism. Cristo is a criminal who pretends to be a benefactor to those in need. Cristo becomes obsessed with Natalia and does unimaginable things to win her over.

After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

The harmony of a seemingly idyllic neighborhood is disrupted when a dog attacks a young girl.

When washed-out, has-been actor Francisco, finds out that his ex-wife is about to remarry and take their daughter to live abroad, he'll manipulate everyone around him to stop the wedding and get his family back.

Raquel and Damián are happily married with two children. Destiny leads Damián to meet Carolina and feels an undeniable attraction towards her. Damián did not know that Carolina was already married to Santiago Álvarado, a construction architect with whom she has two children. When Raquel drops off her son Fede at school, she accidentally backs her car to Santiago's truck, and they realize that their sons know each other. Raquel volunteers to pay for the damages but Santiago refuses. Raquel insists and goes to the Álvarado home with Damián. The two couples become great friends. But the desire between Damián and Carolina is stronger than their marriage commitment and both decide to deceive to their spouses. Damián and Carolina have a terrible car accident. Rescuers only find a seriously injured Damián, and Carolina has mysteriously disappeared from the scene. During the investigation by the police, Raquel and Santiago learn that their spouses are lovers.

The night before her wedding, Julia, a young pediatrician with a promising future, vanishes without leaving a trace behind. Five years later, in the middle of the road, a college student discovers a woman in a wedding gown, alone and confused. The boy takes her to the nearest hospital. On the way, the woman gets to reveal her name: Julia Borges. Julia has no memory on what happened to her in those five years. All she has is an image she just can’t get out of her mind: A man she doesn’t recognize who promises to always look after her. Mauricio, Julia’s fiancée, has moved on believing she is death. He is married and has a one year old kid. His new wife: Camila, Julia’s conflictive little sister. The only person who got his hopes up about finding Julia was Tomás, her best friend and workmate. Tomás has invested all his money, ruined his marriage, and almost went bankrupt trying to discover her whereabouts. The reason? He has always been in love with her. Julia tries to face this new reality in which the man she loves is married to someone else and all her life projects came to nothing. Meanwhile, she is trying to find clues that can reveal what happened to her in those lost years and who is responsible for her disappearing.

Mr. Balboa had a heartless grandson who, at the time, was kicked out of the house (a fact concealed from his wife). Since then he had forwarded himself letters sent in theory by his grandson in order to please his wife. The real grandson decides to go home (looking for money) but the boat where he was traveling sinks. Balboa hires an impersonator and master of beneficial illusions (Mauritius) and together with a cute girl (Isabel), they pretend to be the missing grandson and his "happy wife" to the grandmother, who is very pleased with the guest. But then comes the surprise...the real grandson is alive and he is on his way to return home.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Ulises is a friendly, aspiring actor with big dreams, who also has a weight problem and a compulsive eating habit. In a world where image is paramount, Ulises will do whatever it takes to climb out of the infomercial doldrums. His plans are shaken when he runs into Carolina, his childhood sweetheart, who has grown up to become a stunning, successful businesswoman. Determined to win her heart, Ulises decides to lose weight and earn big bucks, with the help of his best friend, El Charal, a carefree, charismatic kid from the wrong side of the tracks, whose big dream is to be on TV. Ulises, El Charal, and Carolina face hilarious situations and some tough lessons in this riotous romantic comedy.

Karyme Lozano, Cristian de la Fuente and Adriana Louvier will star as the protagonists, while Diana Bracho, Flavio Medina and Salvador Zerboni will star as the antagonists, and with the stellar participations of Alejandra Barros, José Elías Moreno and Olivia Bucio.

After a mysterious, beautiful Latin woman named Miranda makes a dramatic appearance at the funeral of a man, shocking his affluent Southern California family, Victor, the man's son, heads to Mexico to find out the truth about the nature of her relationship with his dead father. He finds Miranda in the city of Guanajuato living with another man, Tobias. When Victor confronts Miranda, she denies meeting his father and says they will never hear from her again. If Miranda is telling the truth, what exactly was she doing at Victor's father's funeral? Who is the man that she is living with now? Their confrontation is the beginning of a chain of events where the protagonists will have to solve the dilemma that happens when true love comes twice at the same time.

Corona de Lágrimas is a 2012 Mexican telenovela produced by José Alberto Castro for Televisa. It is a remake of Corona de Lágrimas, produced in 1965 and starring Prudencia Grifell and Jorge Lavat. Victoria Ruffo, Africa Zavala and Mané de la Parra star as the protagonists, while Adriana Louvier, Ernesto Laguardia, Martha Julia and Alejandro Nones star as the antagonists.

Jakie es una joven que disfruta de ayudar a los más necesitados, pero su esposo Samuel no comparte este sentimiento. El mundo de Jakie giraba alrededor de la ayuda a niños con cáncer en una clínica, el mundo de él giraba alrededor de los negocios, no le interesaba el altruismo de su mujer. Un trágico accidente deja en coma a Samuel, después de meses de espera Jackie decide seguir su vida y volverse a enamorar.

Emperatriz is a Mexican telenovela produced by Fides Velasco for Azteca. It stars Gabriela Spanic as the title character, while Bernie Paz as the male lead. Other casts include Sergio de Bustamante, Julieta Egurrola, Adriana Louvier, Marimar Vega, Miriam Higareda, Alberto Guerra, Rafael Sanchez Navarro and Carmen Delgado. Omar Fierro made special appearance in the first five episodes, and later returns in the final part of the series.[1] The filming process took place between 17 March 2011 - 30 September 2011. The series premiered on 5 April 2011, 19 days after filming the first scene, at 8:30pm, occupying Prófugas del Destino's slot, and ended on 8 November 2011. Emperatriz is also known as most selling telenovela of 2011.

Mauro Hernandez, a young preventive policeman, gets involved in a coke deal, and to keep some of the money he has for paying for the transaction, gives his gun away to cover the deal. He argues to Joaquin, old drug dealer and ex-policeman and ends up threatening him. On his way out of the operation, Mauro and his partner policemen, a gang controlled by Joaquin, stop their way out start a wrangle where Mauro is wounded. His body armor couldn´t even stop a small touch of the knife. The scandal on the bad quality of body armors turns into an investigation of malversation of police funds which is exaggerated and misreported by the media. Apparently made in 2009, but not released until 2011.

Amor en Custodia is a Mexican television drama, inspired by the popular Argentine telenovela of the same name, and developed and produced by Emilia Lamothe. Amor en Custodia focuses on and satirizes the lives of socialite teens and young adults growing up in Mexico city. It deals with sexuality, drugs, money, jealousy and other issues. It first aired on June 19, 2005 in Mexico City, on Canal 7, and was broadcast nationally a day later by TV Azteca. The pilot episode was also made available as a free download on the series' official website. The series was first shown in the United States by Azteca America on July 18, 2005, and the final episode of the final season was broadcast in Mexico on September 12, 2008 and in the USA on October 3. Amor en Custodia holds the record for longest TV series in Mexico, with eleven seasons and 280 episodes. It has been shown in more than 13 countries, including the USA, Europe, Japan, Thailand, and Latin America, and has been translated into English, French, Japanese, and German.

A comedic Mexican short film about "the worst thing a woman can tell you: "I like you too, but only as a friend." -Edgar Cochran

In everyone's eyes, Laurita and Lorenzo have what everyone considers to be the perfect marriage. Lorenzo is a handsome, rich and well educated man running his own fashion house while Laurita is beautiful and elegant: the ideal woman for a man like him.However, the truth is that Laurita is bored with her marriage and is convinced that she is in love with Alex her personal trainer. In order to avoids being peniless in her divorce she wants to trick her husband into getting with Silvia for him break their fidelity clause. Isabela, Lorenzo's former fiancee, also arrives from abroad with intentions of taking over Lorenzo's company as an act of revenge against Lorenzo and Laurita.