Anders Thomas Jensen

Anders Thomas Jensen

Born: April 6, 1972
in Frederiksværk, Denmark
Anders Thomas Jensen (born 6 April 1972 in Frederiksværk) is a Danish screenwriter and film director. Jensen won the Oscar for his 1998 film Election Night. He also received Oscar nominations in the live-action short category for his films Ernst & The Light (1996) and Wolfgang (1997). From the end of the 1990s and into the new millennium he wrote the screenplays for most of the Danish movie blockbusters of the period, including Mifune's Last Song (co-written with Søren Kragh-Jacobsen), In China They Eat Dogs, Open Hearts, Stealing Rembrandt, and Brothers. In 2000 Anders Thomas Jensen for the first time directed a feature film: the action-comedy Flickering Lights, and since then directed The Green Butchers and Adam's Apples. In 2005 he received the Nordisk Film Award (1000 Danish kroner times the age of Nordisk Film).

Movies for Anders Thomas Jensen...

Title: Dansk films bedste
Character: Self
Released: March 2, 2022
Type: TV
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The Idiots Who Started The Party
Title: The Idiots Who Started The Party
Character: Himself
Released: October 13, 2020
Type: Movie
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
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When Danish Film Crosses the Line
Title: When Danish Film Crosses the Line
Character: Self – Interviewee
Released: October 12, 2020
Type: Movie
Sex, animal cruelty, Jesus and politics! Movies evoke emotions - some more than others. In this documentary, Maria Månson explores the Danish films that have outraged, angered, provoked... and have put Denmark on the cinematic map. This is a celebration of those who dared to step across the accepted border between good and bad.