After the divorce of his parents, 15-year-old teenager Valya Lapin is forced to move with his mother to the province, where everything disgusts him. But he knows that as soon as the school year ends, he will move to his father in Canada. Lapin decides to lie low, wait, just exist in anticipation of moving. The only thing he lets in from his new life is running. After all, it helps to escape from reality.

What's wrong with me? Why did Mom leave me? Why don't we know each other? And these are not all the questions that seventeen-year-old Dasha is now asking herself and the world. However, they all invariably come down to the figure of the mother. In search of answers, Dasha escapes from the suffocating care of her father and finds herself next to her mother who has forgotten how to love.

A film about the drama of a talented doctor who fell into a chain of tragic accidents - the death of his wife, psychological trauma that led to the loss of his voice, imprisonment, his daughter's drug addiction and a suicide attempt - but who found the strength to turn the tide, not lose heart and save himself, his daughter and granddaughter .

The Osipovs are a very ordinary family from Ulyanovsk. Father, mother and son. They are no different from thousands and thousands of other families, except that they are happy. They love each other. The sudden illness of the son drives through them with an asphalt roller. Parents are ready for anything, they lose their home, and sometimes their human form, trying to save their child. At some point, even the mother breaks down. But not the father. The most ordinary person. A provincial carpenter.

Petr is not only a successful writer but also is the owner of the agen- cy called Alibi — that creates alibis for the clients who need to hide their lies and failures. His second business is hidden, so he himself has a double life. But his attitude to lies changes when his own wife appears at the agency asking for an alibi. From this moment on, he will solve not only his client’s problems, but his own. Unfortu- nately, he’ll be able to help everyone but himself.

Albina's life changes in an instant: under threat of arrest, her oligarch husband leaves her, taking all the money with him. All that remains of the spouse are two children and a Russian factory on the verge of bankruptcy. Now Albina is forced to forget about the luxurious life in a London mansion and remember what she was told in business courses. Just to start life from scratch in a provincial town without a penny in her pocket, no one taught her.

They say good girls go to heaven, and bad girls go wherever they want. Boys have no better options. His wife left Pashka. And he began to suffer selflessly: drunkenness, scandals, fights with the culprit of the breakup, doctors, drunkenness again, pills and even a clinic of neuroses. But he was quickly discharged, they said that he was healthy, and that he needed to continue living alone, if possible. Pashka, however, was very bad at it, until one day he met a beautiful stranger at the pharmacy. Night, wine, her apartment. Will love save this time or can it let go like that?

Collection of satirical sketches, telling about the decent inhabitants of the Patriarchal Ponds and their obscene stories. The series includes touching, outrageous and full of love intimate stories that are not accepted to speak out loud.

Based on real events. In a densely forested area north of St. Petersburg people have been going missing for three decades. The few corpses ever found were naked. On October 14, 2017 a team of volunteers went out into the woods in search of a missing teenager. Soon, all communication with them was lost. Locals believe they were taken by the same dark spirit that took the others. They call it the Limping Widow.

Igor is ready for anything for the sake of Polina’s happiness, and in order to compensate for the loss of her son, the couple opens up to a new child. But instead of an ordinary boy from a shelter, a mystical creature that can recreate the memories gets into their family ... There has not yet been found a recipe for centuries of suffering, but perhaps the key to salvation in selfless love for each other ... Open your heart! Let her in ...

Experienced Moscow police officer Maksim Pokrovskiy is sent to Northern Russia to investigate the murder of the local Oligarch's daughter.

The story is based on the real events of 1985. The team of a Russian polar icebreaker “Mikhail Gromov” discovered a giant iceberg. The ship came into collision while attempting to take cover from the weather and is forced to drift with ice along the Amundsen Sea coast. The crew of “Gromov” spent 133 days of polar night trying to find a way out of their icy trap. They have no room for mistakes; one wrong move and the vessel is crushed by ice.

Managing position at Nastenka Cleaning Service, whose employees are migrant girls from Asia, comes at the Muscovite Kirillov out of the blue. The situation is complicated by the fact that Kirillov is planning to leave for Norway and expecting his bride, a typical European with a rather rigid interpretation of freedom and tolerance, to come visit. The idea that she will learn about the exploitation of "women of the East" terrifies him and makes him prevaricate in order to hide his "harem"...

Russia, 1917, WWI. This is the story of the 1st Russian Women's Battalion of Death, formed as part of an ill-conceived propaganda ploy by the Russian Provisional Government in late May of 1917.

Once the main character Andrei worked at a hot spot as a peacemaker and rescued his co-worker Victor. Victor promised Andrei that he would always remember who he owed his life to and would come to Andrei’s help at any time. The chance to pay was presented to Victor after 20 years. Andrei quarreled on the road with an escort of an expensive car with a flashing light and was badly beaten. From his wounds, he died, leaving his pregnant wife alone. Victor is looking for Katya to help her achieve justice and avenge the death of her husband. The crime drama "The Last Hero" tells a difficult story about honor and friendly duty.

Masha Krapivina - is yet beautiful, and not that clever. She is just an ordinary girl, like thousands of her peers from different parts of the country, who risked to try to conquer Moscow and left their native country town.

The souls of dead young men and women are released back to Earth for a short time to find true love.

The main characters are ordinary 30-year-old men who live in an ordinary Russian village, where it is always bad to work, where there is always no money, where they drive moonshine, for which they pay with food or firewood. They did not study at institutes, do not speak foreign languages, do not understand politics and consider the words “Internet” and “glamor” as curses. For such words, they can give in the face. They see life mainly on the TV screen. Yes and that - black and white.

Alexander Dronov, the actor, didn't have many success in his life. But despite all the troubles he has an important life mission - he's the man at the window.

A small child is trapped in a tug-of-war battle between his frivolous, but loving mother and an emotionally abusive neurotic grandmother, who wants to "shelter" her beloved grandson at all cost.

A semi-fictional account of the life of Russian poet Joseph Brodsky, who was forced into American exile in 1972.

A woman and a young girl in different cities are struggling to find their way in this world. Will their paths intersect and will that change their destinies?

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

A group Russian soldiers is send to an outpost to guard the area. They pass the day patroulling the area, while being shot at from the forest. They never know if the civillions are hostile or friendly to them.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.