After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

METRALLA was a rock group from the late 1980s that achieved great success with its first and only LP titled “Por Tus Muertos”, but which mysteriously dissolved just before giving its first concert. Thirty years later, Miguel, one of the members of the band, still dreams of being a rock star, even though no one goes to his concerts and his music store is about to be seized by the bank. Ordúñez, a famous rock radio communicator, offers him to give a concert at the Palace of Madrid on the condition that he reunites the original members of the band.

Jesús Quesada, an incompetent executive, is appointed as the new director of a company in decline whose survival will now depend on both the ingenuity and ambition of his former colleagues.

The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Dafne and her friends are a bunch of thirty-somethings living dissatisfied lives. Frustrated in love and sex, they work in lousy jobs, trying to find themselves, and some love, in Madrid.

Teresa, the director of a real estate bank, wants to sell one of the many empty flats that they own to a couple, without being aware that the buyers have an unexpected relationship with the property.

Four women will have to deal with the problems of their daily lives, while trying to hide a dark secret that will make their whole world reel.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later.

In this Spanish comedy-drama, a man befriends his wife's lover in an attempt to understand what has happened to their marriage and win her back.

Dori finally achieved her dream - having dinner with her favorite actress.

Once upon a time: a return, a town, a dead person, a family ... and a story.

Based on the Vicente Blasco Ibañez novel "Flor de Mayo". Its a familiar tragedy seted in the maritime towns of Valencia, in the early twentieth century. the struggle for survival, love and betrayal mark Tona's life. She loses her husband in the sea and rebuild her life opening a bar in the beach to bring up her children.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A family faces the last night of its eldest member, showing their different ways of dealing with a life's ending. In a surprising manner, overcoming fear and taboo, one of them will guide the passing.

A telephone operator tired of her work and her life, suddenly decides to tease her customers

A woman enters a restaurant one morning – only to be met with silence instead of people talking.

A caustic satire of many of the 'types' found in Spanish society.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Cristina is a young literature student who works at night in a bar, Rosa is a brilliant executive in his thirties, and Anna is married and has one son. All three are sisters, and every one thinks her life is worthwhile and that their sisters have taken the wrong way. But it is time to recognize their dissatisfaction, and perhaps they are needed more than they are willing to admit ...

The group of fourteen contestants from the television program "Big Brother" becomes a privileged witness to the most extraordinary event that the austere region of Extremadura has experienced in its history. Charred remains of what doesn't look like a man-made ship float in a hotel pool. And at night, a thunderous noise and a light that invades everything prevents them from sleeping.

A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

The film is based on the autobiography of writer Manuel Vincent. His father doesn't want him to become a writer and sends him to Valencia law school. One day Manuel sees his dream girl and follows her on a trolley car to Malvarossa beach. He then studies in college, meets call girl La China who teaches him love secrets, but still remembers that girl.