Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.

A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.

A film centering on the life and work of Ron Galella that examines the nature and effect of paparazzi.

Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work. A creator of enormous, immediately identifiable steel sculptures that both terrify and mesmerise, Serra believes that each viewer creates the sculpture for themselves by being within it. To this end, a Japanese family are reminded of the Temples of Kyoto, a Londoner finds sanctuary in the Serra near Liverpool Street station, and most movingly, a Holocaust survivor sees one piece as a wall separating the living from the dead. Contributors include Chuck Close, Philip Glass and Glenn D Lowry, Director of MoMA.

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.

The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture, shaped canvases, and more, using unusual materials. They explore the process of making forms and giving meanings to those forms. In this idea art, their focus is as often social and psychological as artistic. Some of their activities enlist engineering and construction techniques, others compose texts or scripts that are central to their art. Some cast the viewer in the role of a spectator, while the others demand active participation. The sources for their concepts and art works are equally diverse; the delicate proportions and balance of Early Renaissance painting, the exploration of the surface of the moon, the structure and inventions of vernacular architects, to name only a few.

Humphrey Burton introduces two Omnibus USA reports on the arts in New York... that is the arts in the streets, away from the museums and the concert halls. One film is 'Saturday in Soho', an impression of artists, dancers and musicians' work and of the Soho area in general. The second is 'Watching My Name Go By', a showcase a kind of graffiti cult game played by 11 to 17-year-olds. It's illegal and dangerous - and while some New Yorkers think it's a kind of art, others think it's kind of disgusting.