Maria Luíza is a seven-year-old child who lives a happy life with her family. Her naivety is struck when she discovers that her mother is in love with her nephew, who is a helper on his father's farm. The possible dismantling of her family puts her in a state of melancholy and fear, as the intruder approaches the nucleus and family structures dissolve.

A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

Three ghosts are trapped in a house and haunt each new resident in order to finish their mission on Earth so they can move on to the next life. That is until a couple of architects move to the place and decide to renovate it, revitalizing it. However, they end up discovering that the mansion was the site of an old concert hall called "Fervo" and go through a series of misunderstandings with the ghosts played by Rita Von Hunty, Gabriel Godoy and Renata Gaspar.

Hickson lived off the books, running from one place to another to make a living. His only great achievement in life had been to win over his wife Jéssika, an evangelical hairdresser and his girlfriend since childhood. The two lead a life without great prospects in the suburbs of Rio de Janeiro until Hickson gets a job at an evangelical radio station. With luck, talent and the help of Jessica, he soon becomes a pastor and has a meteoric rise in the church. But with fame and money comes envy. What now Hickson?

Lair is exhausted. He can no longer drink, his wife is dead, and all he gets for his 80th birthday is a visit from his daughter's insufferable family and a lousy cake. But when he casts them out of his house, he receives a tempting call from the beyond.

The dawn is strange, with a harbinger of change. The next morning, Maria receives a mysterious visitor that leaves José disturbed and will lead her to re-signify her own destiny.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

Five young actors travel to an isolated house, surrounded by forest, for a weekend to shoot a movie. What they still don't know is that this will be the scene of mysterious events. Will they be able to finish the movie before they finish it?

It begins in 1983 in Salvador city, with the attack against José, an ex-member of a left-wing political group. Meanwhile, his nephew Adonias is worried about an assignment his teacher has given him. Consequently, Adonias has to deal with his family's suffering, conflicts at school, and the anguish of having to write his school essay.

Maria da Paz is a committed baker who becomes a wealthy businesswoman twenty years after a tragedy strikes on the day of her wedding to Amadeu. From this broken union a baby is born, Jô, who seeks power and despises her mother’s humble origins. Afraid that her parents’ reunion might spoil her plans, Jô starts an alliance with the charming Régis to convince Maria to marry him and, together, they plan to steal all of Maria’s fortune. In this exciting telenovela written by Emmy Awards winner Walcyr Carrasco, Maria’s optimism must be stronger than Jô’s ambition when the baker finds out about the betrayal and her own daughter’s dangerous secrets.

Already famous, at the top of his career, owner of his own school of etiquette, Crô sees himself alone and without a family. Lonely and vulnerable, he ends up living at the whim of supposed family, Orlando, Marinalva, Luane and Nando, whose intentions are far from the best. With the inseparable Geni, Magda and Jurema by his side, Crô will embark on an adventure to find his true family while constantly avoiding the venom of the top columnist Carlota Valdez.

Locked up for decades in a maximum security prison, an old man tries to revive his glory days as a magician, putting into practice a perfect - but also very dangerous - escape plan.

Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. When he's at a dead end, he discovers the opportunity to become a football manager by leading some boy from the neighborhood to becoming the new Neymar of international soccer. Going through the suburbs of Rio, he finds Glanderson, a young boy with an enormous talent for soccer despite missing two toes. With good humor, high hopes, and a lot of mistakes, the quixotic duo tries their best to make their dream come true.

Maria is a shortfilm about a woman who was fooled to the western world while she was young and naiv, found what she dreamt of, but lost where she came from. Maria is the return to whatever's left of childhoods pastures.

Two men roam the night of Rio de Janeiro with two prostitutes in search of pleasure and violence.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

This is an adaptation of the 2015 TV show, featuring two intertwining love triangles that drive the plot. The first triangle involves Aragão, his wife Arlinda, and her lover, Chico. The second triangle unites Malvina, Lena, and Gabriel, who is the son of Arlinda and Chico but raised by Aragão.

In the middle of a quiet house in rural countryside of the state of Rio de Janeiro, an elderly couple lives with the limitations of old age. Divaldo shares his solitude with Myriam. She dies during sleep and the next day. Divaldo buries her in the backyard. After the funeral, he expresses mourning in a peculiar way.

An ambitious woman who, for love, abandons Law School and ends up in the criminal world. A policewoman who dreams about becominga MMA championwhile fighting organized crime. A young dreamer torn between finding true love and her search for freedom. Written by International Emmy Award winner Gloria Perez, "Edge of Desire" presents three strong-willed women that have one thing in common: the tenacity to fight for what they want.

In a forgotten corner of the vast Brazilian bureaucracy, a psychotic boss uses a time machine to enslave his lazy employees and increase productivity.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.

A film director, Walter, meets his old team to make a "road movie". With no money, they will have come up with scams in order to make the production possible while at the same time plotting revenge.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

When Fernando accidentally rips the designer dress of a reality show star, he races to replace it, putting his own wedding at risk.

São Paulo today. Brazil is in full economic upswing. This is a story of friendship and delusion between three young friends in a big city. Their life is marked by an ordinary routine where nothing much happens except the alienation impregnated by the consumer society and the lack of perspectives. An urgent film representing the historical moment of a generation.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

The life of the owners of Circus Esperança, Puro Sangue e Pangaré, father and son, who plays two clowns. At a certain point, Pangaré starts showing tiredness and sadness for being an unhappy clown.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

Disillusioned teacher Sara and forgotten poet Francisco were once married and now decide to meet again to talk about their hopes and anxieties. The former couple ends up meeting the young Penelope who changes their lives with her free way of being.

Based on the homonymous work of Dias Gomes , The Well Beloved tells the story of the mayor Paraguassu Odorico, whose primary goal in his administration in the city of Sucupira is the inauguration of a cemetery. One side is supported by the sisters Cajazeiras. On the other, he has to fight against strong opposition led by Vladmir, owner of rag city. For lack of a corpse, the mayor can never accomplish his goal. Not even the arrival of Ernesto - a dying man who does not die - and hiring Zeca Diabo, a bandit killer, provide him with the realization of his dream. Odorico gun situations for someone to die, but the first body to be buried in Sucupira may be the mayor himself, that the hunter becomes the hunted and goes from villain to martyr.

During a remake of the play Tristan and Isolde, actors Peter and Ana fall in love. While the characters live an idealized love, the interpreters are living a true story, which they try to spice it up with the intensity of the fiction.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

For forty years, the public functionary and family man Lineu and his beloved wife Nenê celebrate their first date going to the same ball where Lineu borrowed the jacket his competitor Carlinhos. In the present days, Lineu feels uncomfortable when his colleague Pacheco dies and goes to the doctor for health examination. When the result of his tomography arrives, his doctor says that he had seen some blur in his lungs and with that report he would give the correct diagnosis. Lineu steals the document afraid of having a tumor, but he believes he will die sooner. Meanwhile, Nenê meets Carlinhos in the supermarket where he is the manager and invites him to have dinner with her family. Lineu hides his concerns to Nenê, and his attitudes in the dinner misguide Nenê, and she believes Lineu has a lover and does not love him anymore

While in the hospital, after being run over, Alaíde thinks about her life, specially after the moment she'd found the diary of Madame Clessy, in the house where her family had moved in, which was a former bordello.

A star medical examiner is called to Brasília, the administrative capital of Brazil, to confirm the identity of a beautiful, young congressional aide's dead body. But his scientific rigor soon leads him to details of a multi-layered political scandal.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

Colonel Furtado struggles to keep his lands, the Sobradinho Farm, and win the heart of his cousin Esmeraldina. In the process, he fights big beasts, experiences the taste of a bohemian life in town, fends usurers and thieves off, and uses all his cunning to get rid of haunting entities. His rival is the man he was brought up with, Pernambuco Nogueira, a werewolf.

Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.

Andréa, a poor telemarketing salesgirl, dreams of being a singer. Her rich boyfriend Fred hires a musical producer, Marcelo, to turn her into a star. But she and Marcelo end up falling in love.

Maria Auxiliadora is a 24 year-old woman very poor, that she lives Joana, her 7 year-old daughter close to. Needing go look for the result of Joana's exam in the hospital, Maria asks the priest of the local church that takes care of her to return. In spite of Joana's insistence to go with the mother Maria insists that she is with the priest, because she distrusts that her daughter suffers of a serious disease. To entertain the girl while it awaits the mother's return, the priest decides to tell her a mother's history that dedicated her life to the son: Mary, mother of Jesus Christ.

The Night Shepherds universe is inhabited by prostitutes, priests, rogues, saint's parents and street vendors. For a very Brazilian people who fight every day for survival and only rely on the solidarity spirit and friendship of each other. The seductive Cabo Martim, the romantic Curió, the noble Massu, the artful Foot of Wind and the Jesuit master live their adventures in four independent episodes, which are completed in their poetry and the strength of each story.

On Alberto's birthday, his daughter Zezé gets engaged. But the party turns sour when he decides to expose his pain and regrets.

Fashion designer Andréa Vargas finds out the hard way she is adopted. The relationship with her sister Júlia had always been difficult, since childhood, and the antagonism grew when Júlia came between Andréa and her first true love, Diogo. But the worst is still to come: her first assistant in her atelier, Selma, is having an affair with her husband Bruno.

Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Documentary about a political episode during the Brazilian military dictatorship, which resulted in the issue of the Institutional Act #5 (AI-5), abolishing freedom of opinion in Brazil, and marking the transition to the toughest period of violation of human rights in the country. The episode was the Congress Assembly on December 12th, 1968, in which its members denied permission to punish congressman Márcio Moreira Alves, as was the Government's wish.

Porto dos Milagres is a Brazilian telenovela that was produced and aired by TV Globo from 5 February to 29 September 2001, totaling 203 chapters. It was written by Aguinaldo Silva and Ricardo Linhares and loosely based on two works written by Jorge Amado - The Dead Sea and the discovery of America by the Turks. Had Philip collaboration Miguez, Maria Elisa Berredo, Nadotti Nelson and Gloria Baker, directed by Fabricio Mamberti and Luciano Sabino. Director general Mark and Robert Paul Naar, co-directed by Fabricio Mamberti and Luciano Sabino. Had the direction of core Marcos Paulo.

The legend of Caramuru, a Portuguese man that finds a paradise in Brazil, after stranded by a shipwreck, but has his heart tested when the chance to return to his country comes.

Ramiro is a 40-year-old lawyer and university professor who returns to Brazil after eight years of exile in France as a result of the military dictatorship. Recently separated from Dora, he meets Elisa, the youngest daughter of a couple of friends of his parents, who will turn his life upside down.

Following the clues of a map, a boy and some adventurers go into the forest in search of treasure from the pioneers, and end up going back two centuries in time, in search of the legendary Minas dos Martírios.

This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.

On December 31st 1999, destiny brings a fugitive prisoner and a depressed middle class teacher together, as the new millennium approaches bringing hope to everyone.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

A comedy addressing the issues of being single in Rio de Janeiro.

At the end of the 19th century, a poor family comes to the rural Canudos, a community led by Antônio Conselheiro, seen by many as a holy prophet. Their ways bother the powerful people of the region, and the newly founded Republic sends their army to destroy the settlement, which culminates in one of the bloodiest wars in the history of Brazil.

The forbidden love affair between Peri, an Indian, and the beautiful Ceci, a Portuguese white girl, in the 17th century Brazil.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

An Italian actress arrives in Belém do Pará, to stage the last moments of Carlos Gomes, author of “O Guarani”.

The principal character in Helvécio Ratton's delightful film has been adapted from a book and comic created by the Brazilian cartoonist Ziraldo, and tells the tale of a happy-go-lucky 10-year-old child growing up in a city in the 60s.

Helena is a sweet, honest, sensitive and a warrior woman who faces the premature pregnancy of her daughter Joyce, who in turn is abandoned by her boyfriend, the irresponsible Caio. The biggest problem is the girl's father, Assunção, Helena's ex-husband, who does not accept the situation. Lonely and alone, Helena awakens a passion for the endocrinologist Carlos Alberto, and has her feelings matched. But Carlos is committed to the possessive Paula. The girl's parents, Zuleika and Rômulo, anxiously await their daughter's wedding with Carlos, who will save the family from financial decay. But Carlos is the type of man that women don't really forget. Even married to Paula and in love with Helena, he is still harassed by ex-wife Sheyla, who is not satisfied with having lost him and dreams of a rapprochement.

18 years old Engraçadinha starts a secret love affair with her cousin Sílvio, who's engaged to her best friend Letícia, who is secretly in love with Cutie Pie. Twenty years later, Cutie Pie is a deeply religious married woman who's afraid her teenage daughters might end up making the same mistakes she did in the past.

The sexual fantasies of women are explored by three female directors.

Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.

Exiled in Acapulco, the bon vivant Dino cheats a rich widow into financing his coming back to Brazil. To avoid getting caught, he hides in a coffin. His fake burial is celebrated in high style and it doesn't take long before he starts getting himself into weird situations.

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

During the Brazilian military dictatorship, a doctor forged autopsy reports to hide the victims of the regime.

Dede (Guilherne Fontes) is a Brazilian teen who lives with his middle-class grandparents who are members of the local communist party. When his grandmother dies, his grandfather's health soon fades to the point where he can't speak or walk. The local party officials ask Dede to continue to family tradition and take over his grandfather's position of social authority, but when Dede is introduced to cocaine by his best friend Alpino (Marcos Palmeira), the attraction to drugs is more appealing to him than political activism.

Fausta is a survivor who dreams of building a house on land she's buying on the installment plan. Meanwhile she lives in a one-room tin-roofed hovel with her idle husband, João, and she works as a maid. Through it all she's a scourge, arguing, jeering and being jeered, but also displaying the spirit and energy of her idol, Tina Turner.

According to an Amazonian legend, every month, during the full moon, a Brazilian fishing village receives a mysterious guest: the Boto, who transforms into a human to seduce and be loved by women and hated by men. One of her conquests is the daughter of a fisherman, who has a son with the Boto. He constantly reappears to seduce her, and even when she marries, he continues to look for her. This provokes the ire of the husband, who wants to kill him anyway.

In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.

Biography of Brazilian congressman Tenório Cavalcanti, who used to appear in public carrying a machine-gun, and wearing a black cloak.

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.

In 1970, the Esquadrão da Morte (Death Squad)' crimes for the refinement of violence provoked a wave of reactions throughout the country. The photos of the victims, adorned by the skull, symbol of the group, caused an uncomfortable indignation. This is the story of Mateus Romeiro, the most famous of the policemen, who was part of the Homens de Aço (Steelmen) group, one of the factions in which the squadron was divided.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

A newlywed woman, frustrated after her honeymoon, decides to search for lovers on the streets and ends up causing a conflict between her husband, a baker and a black artist.

An Ivory Thorn is a story adapted from the universe of Marina Colasanti's wonderful tales. In the plot, a King obstinate in the hunt for a rare animal, a unicorn, and a princess's passion for her father's object of desire. Dilemma that sometimes, even fairy tales are not able to solve.