Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

After a serious car accident, David decides to care for his best friend Javi at a remote house. It doesn’t take long until the animosity insidiously builds between them. As the two of them begin arguing, the truth about their toxic, homicidal relationship bubbles to the surface, and madness soon takes hold.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

Father Vergara—an exorcist, boxer and ex-convict—lives in a remote village in Spain. Hoping to be lost and forgotten, Vergara’s demons catch up to him.

A group of six police officers solve disappearance cases that everyone else has already given up on.

A large, multinational company is badly shaken when three of its employees commit suicide. Sofía Cuevas, one of the company’s top executives, is chosen to prepare an in-house report to try and shed some light on the events.

Coslada, near Madrid, Spain, October 2015. Hundreds of extras are trapped in a huge stage where they pretend with hysterical joy that they are celebrating a party that will be broadcast on television on New Year's Eve. But more than a week later, the clash between several staff members threatens to prolong indefinitely such a maddening nightmare.

Spanish miniseries.

A lonesome guy finds himself in a downwards spiral of money, drugs and crime.

Glued to his TV set, a man channel-surfs frenetically, zapping from one stultifying show to the other. As he grows more and more indifferent to the constant stream of violent and crude images, he stands up and engages himself in an unspeakable act of self-liberation.

Four young friends have parked an old rented RV next to the road. Someone is aiming at them with a rifle. When the sniper fires, everything is tinged with blood. Their holidays turn into a macabre nightmare full of horror, sex and death.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.

A crazy week-end in Ibiza for a farm girl who dreams of being a go-go dancer at a club. Her Fantasy almost fulfilled she will have to decide whether she is fitted for a tranquil life or the excitement of the last 48 hours. Un fin de semana loco en Ibiza para una chica campesina que suena con ser una bailarina a go-go en un club nocturno. Elegira la granja y su tranquilidad o la excitacion de las últimas 48 horas al borde del mar?

Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.

Jonathan, a ten-year-old boy from a suburb of Barcelona, spends his afternoons listening to the adventures of Sponge Man, a superhero created by the Boss, his summer camp instructor.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Six teenagers decide to spend the night at an old abandoned school where 27 years ago a horrible massacre occurred. The kids run afoul of the vicious crazed security guard who committed the brutal killings.

The story revolves around Goya's womanising and the mysterious death of the Duchess of Alba at the end of the 18th and beginning of the 19th Centuries, at a time when Madrid was wobbling through a difficult time and setting the scene for the following Prim vs Crown uprising.

Martín (Zoe Berriatúa) is a teenager living in the San Blas district of Madrid. He is upset with his father Arturo (Imanol Arias) because he blames him for his mother's death. With the help of his girlfriend África (Elena Anaya), who will become his stepsister, he tries to get revenge on him.

Spain, under Philip IV (1621-1665). The film is based on a novel by Gonzalo Torrente Ballester. The King is stunned to see the naked body of Marfisa, the most beautiful prostitute of the town and Court. After that, he also wants to see the Queen naked. However, the King, despite the opposition and the scandal of the Church, will not stop until he reaches his wishes.