Tadao Sato

Tadao Sato

Movies for Tadao Sato...

Mifune: The Last Samurai
Title: Mifune: The Last Samurai
Character: Self - Film Historian
Released: December 2, 2016
Type: Movie
An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.
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Flowers of Taipei: Taiwan New Cinema
Title: Flowers of Taipei: Taiwan New Cinema
Character: Self
Released: October 1, 2014
Type: Movie
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
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Tadao Sato on Ozu's The Only Son
Title: Tadao Sato on Ozu's The Only Son
Released: January 1, 2010
Type: Movie
Documentary and interview with Japanese film critic and scholar Tadao Sato about Yasujiro Ozu film The Only Son.
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Teshigahara and Abe
Title: Teshigahara and Abe
Character: Self
Released: July 10, 2007
Type: Movie
A 2007 documentary examining the collaboration between Teshigahara and novelist Kobo Abe, featuring interviews with film scholars Donald Richie and Tadao Sato, film programmer Richard Peña, set designer Arata Isozaki, producer Noriko Nomura, and screenwriter John Nathan
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Seven Samurai: Origins and Influences
Title: Seven Samurai: Origins and Influences
Character: Self
Released: September 4, 2006
Type: Movie
Seven Samurai: Origins and Influences, a documentary looking at the samurai traditions and films that helped shape Kurosawa's masterpiece
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Kurosawa
Title: Kurosawa
Character: Self
Released: December 24, 2000
Type: Movie
Documentary on film maker Akira Kurosawa
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I Lived, But...
Title: I Lived, But...
Character: Self
Released: October 29, 1983
Type: Movie
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..