A beautiful princess born in a faraway kingdom is destined by a terrible curse to prick her finger on the spindle of a spinning wheel and fall into a deep sleep that can only be awakened by true love's first kiss.

The final film by Slovak director Stefan Uher.

The children's detective story describes a thrilling and cheerful search for a lynx that someone stole from the zoo corner of the house of pioneers and young people (the creators apparently assume that large carnivores are commonly bred in the children's facility). However, the film is made completely ingeniously, the naïve plots hardly catch the eye. In one of the last roles, Vladimír Menšík will introduce himself as a police captain, leading a long-complicated investigation

Based on the eponymous novel by Ladislav Ballek.

Delius' opera as film.

A fairy-tale about an old lady who takes care of snow and Jakub who does not fear death. It reflects the idea of people's longing for happiness, love and understanding, their effort to overcome troubles and win over death. It criticizes greed and evil desires.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

A teenager gets into a difficult situation due to several causes and tries to hide. His relations to others will decide his further life course.

Majka "Chatterbox" is a girl entering adolescence. She was born with a minor disability. While her mother keeps scolding her for the way she walks, her classmates mock her and call her a "duck". Along an innocent first love affair and a secret friendship, she receives little understanding from her parents and lots of malice from her schoolmates. Majka finds refuge with her grandmother and in her own fantasy world. Director Peter Solan made a sensitive portrait of a twelve year-old schoolgirl. The eloquent film language talks to child and adult audiences alike.

Juraj Jakubisko's first feature film after a forced nine-year-long break is a story about an unconventional man, Jozef Matúš. He arrives to a small village in eastern Slovakia to settle down and start a family. He is ready to subordinate everything to his goal. It all starts with stealing building material and ends with him disregarding those close to him to a point where his ambitions are turning against him. Build a House, Plant a Tree is a viewer-friendly film with a plot resembling a western, including several attractive action sequences.

Spadla z oblakov is a Slovak language sci-fi TV series for children created in year 1978. The series became very popular in Czechoslovakia and several other countries. The series was based on 1967 child book Spadla z nebe by Václav Pavel Borovička, a Czech writer and screenwriter. The first, very successful edition was followed by several reprints, the last in year 2000. The TV series follows the book quite closely.

One of the lead characters is Maria, an inn keeper; always a bride but never a wife. She meets the newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. The film is full of fireworks of lovely colours, and a warm feeling. It is like a carousel of humour and human situations that carry us away, from the very first frame to the unexpected ending, making the viewer laugh gaily. Using a mosaic approach to the traditional narrative line, the film director creates a picture of fairly anarchic glee. “Celebration in the Botanical Garden” is a world of fantasy, full of summer fun, good humour and delight. E. Havetta´s debut was inspired by naïve art, French impressionism, and silent slap-stick as well as Western Slovakian folk traditions.

A film about the dramatic lives ofthe people of the village of Ráztoka during WW I. Women are left without husbands, families fall apart, finding themselves on the verge of poverty. Eva, the main heroine, is going through difficulties after her husband was drafted to the army. Her defilement and her tragic death cause a rebellion by which the village inhabitants finally stand up against their unbearable situation.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.