Billie is an advertising executive with a secret past she can’t seem to leave behind. Joan is a hopeful young actress looking for the right part and the right guy. Sherry is a model whose whirlwind lifestyle is catching up with her.

Justine Jones, in a continuation of The Devil in Miss Jones, Part 1 (1973), is frustrated in hell. She makes a sexual deal with the Devil himself to earn a return to earth as an immortal human. However, in earning her escape, Lucifer falls in love with her. He doesn't want her to go but can't admit it because he's the Devil. The story gets underway as he tries to place her soul in nubile bodies on earth that are increasingly removed from opportunities for sex, in order to jealously deny her the one thing she craves. He finally tries the body of a nun, but this brings him into conflict with HIM, resulting in a humorous finale.

Henri Pachard like Louis Malle is a gifted, prolific, visionary film-maker, Pachard's films idolize women, and skillfully educate the most sophisticated viewer of eroticism (both male and female) with exquisite, and mesmerizing "true to life" encounters.

A young woman ingratiates herself with a movie star, then takes all she can from her.

The story involves a hectic and hilarious chase as Mrs. Leautrec (Juliet Anderson) and her dashing son Paul (Ron Jeremy) stalk three incredibly beautiful diamonds through the ballrooms and bedrooms of Europe, using love and lust as tools of their trade. Hot on the trail of the third and finest diamond, our notorious heroes find themselves at an elegant New York disco where Mrs. Leautrec meets the diamond's owner, Mr. Greenfield, while Paul strikes an unusual sexual bargain with "The Lady in Red" (Samantha Fox). Mr. Greenfield, a multi-millionaire, invites Paul and his mother to his annual masquerade and orgy. As hundreds of masked party-goers publicly pursue their favorite perversions, Paul and his mother are caught in a devious trap, causing them to lose the diamond to another thief (Veronica Hart).

A Don Juan-like playboy doesn't get old, but a stag film of his does in this hardcore riff on The Portrait of Dorian Gray.

In a restaurant in New York, the menu is unusual, with some sauces prepared by waiters on the spot. In this scenery, at another table, a reporter interviews a famous prostitute.

An accountant embezzles $80,000 from his company, in cahoots with a beautiful company executive. However, he starts worrying about getting caught and lets his partner know that he wants to stop. She, however, doesn't want to dry up her cash cow, so she finds some "persuasive" ways to convince her partner to keep up his end of the deal.