Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Donna wants to live the perfect Free Woman life. At the same time she needs the daily comfort of a close relationship to her girl-friend Britt. Britt is romantically inclined in an old-fashioned way and would rather opt for life with a wrong man than with no man at all.

Han frigav slaverne i 1848. Han talte konge og regering imod. Han elskede sine samtidige koner lige højt. Han var farverig, han var enevældig, han var Danmarks sidste generalguvernør på De vestindiske Øer, hans navn var Peter von Scholten. Filmen om ham er en pragtfuld historie om storhed, magt og stædighed på den ene side, og om kærlighed, loyalitet og vemod på den anden. Den er et farverigt galleri af personer, der viser tiden, danskeren i det fremmede – og det sorte menneske i relief til det hvide.

I en lille 2-værelses baggårdslejlighed, på Vesterbro i København, bor den 14 årige Ester (Sofie Gråbøl) sammen med faderen (Torben Jensen), moderen (Vigga Bro) og storebroderen Carl (Carl Quist Møller). Det er tidens typiske arbejderkvarter og lejligheden er uden nogen form for moderne bekvemmeligheder. Koks skal hentes i en mørk kælder, hvor hjemløse har søgt ly og logi for natten. Ester er en drømmer. Hendes ønske er at blive forfatter og hun skriver digte i det skjulte. Hun glemmer ofte tid og sted, når hendes tanker går på langfart.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.