The story of Rodrigo Díaz de Vivar, a Castilian nobleman and war hero in medieval Spain.

Manuela is a young photographer and artist who lives confined in her dark past. Daniel is a French writer who spends his days between the novels he writes, and returns to the small town to meet Manuela, with whom he shared an sinister experience long ago. By knowing the distant, hostile and self-destructive world of Manuela, the writer is deeply mesmerized by the dark side of his partner and try to explore its limits. They build a relationship of light and shadow, profoundly marked by the common past and the universe of Manuela. While Manuela remains trapped and tries to overcome her present, Daniel will find a way of life to the extreme and will end facing a tough test.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

In 1960, Martín and Marcos are forced by their difficult personal circumstances to travel to Switzerland in search of work, leaving their families in the Madrid of Franco's Spain. But they undertake more than a simple journey; they begin the road to a new life.

A caustic satire of many of the 'types' found in Spanish society.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

An emotionally distant father attempts to reconnect with the son he abandoned. After his estranged son (Juan Diego Botto) tries to commit suicide, Argentine expat Martín (Federico Luppi) brings the troubled teen to live with him in Spain. But though Martín tries to reach out to his son, he's unable to bond with anyone in his life -- including his much-younger girlfriend