Produced in 1984. Unreleased until it was screened at Nikkatsu's Roman Porno retrospective on May 13, 2012.

Ryotsu Kankichi, nicknamed Ryo-san, is a senior patrol officer working at the Kamearikoen-mae police box at Katsushika. Because of his daring, hearty, unconventional, haughty and overbearing personality, he is called "letter of apology Ryo-san" and everything he does is nonsense. There is endless trouble wherever Ryo-san goes. He makes Akimoto Catherine Reiko and Nakagawa Keiichi, his juniors from the same police box, fearful. His superior, Ohara-buchou, lives each day as if lightning will strike as a fearless power keeps going off day after day. He definitely doesn't have poor ability as a "patrolman of the police box" in the mediation of quarrels, taking care of New Year's gifts or discussion of neighbourhood problems but he has a bad temper, gets tired of things easily and detests working. He is a police officer but because he loves gambling, he spends his money recklessly and in addition to this mess, is heavily in debt. He has a weakness for get rich quick schemes, and has a manic desire and knowledge to have fun and make money. Then one day, Ryo-san receives a tempting proposition...

When a gal named Kasumi decides to become a traditional Japanese 'Rakugo' storyteller due to her uncle's invalidity, she is soon on her way to a career with college-level and amateur success. She becomes a student to one of the master's of the genre and is even asked to perform by a TV producer. The only snag is, the particular story has a curse dripping from its words.

Ando Natsu is a heartwarming story rich in Japanese aesthetics and culture set in historic Asakusa, Tokyo. Follow Natsu as she strives to achieve her dreams and discovers the wealth of warmth and tradition in the community she finds herself welcomed into.

Cutie Honey: The Live is a Japanese tokusatsu production of the popular Cutie Honey manga and anime series chief directed by Makoto Yokoyama and written primarily by Toshiki Inoue. It began airing on TV Tokyo on October 2, 2007. Gravure idol Mikie Hara portrays Honey Kisaragi, the title character.

A small, lone Kappa miraculously survives over 200 years into modern day Japan, when he is found by young Koichi. Coo, who is secretly adopted by Koichi's family, searches with his new human friend for unpopulated places in hopes of finding any remaining of his kind.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

After the unexpected death of her husband a new life begins for Toshiko. 30 years of a happy marriage seem to suddenly vanish as she finds out that her husband had lived a double life. Struggling between her anger and the chance to begin a new chapter for herself, she finds her life moving into unchartered waters as she faces her 60th birthday.

"Where there is light, shadows lurk and fear reigns. But by the blade of Knights, Mankind was given hope." The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

A show called "10 Most Terrifying Things in History that Really Happened" is struck with fear during a live broadcast on an infamous cursed house when bizarre phenomena occur, and the spirit of a young girl gets captured on film. The hosts decide to go towards the cursed house and purify the spirits on live TV.

An independent group of researchers called the Godzilla Prediction Network (GPN) actively track Godzilla as he makes landfall in Nemuro. Matters are further complicated when a giant meteor is discovered in the Ibaragi Prefecture. The mysterious rock begins to levitate as it's true intentions for the world and Godzilla are revealed.

The story follows Mamoru Masaki, a resort developer, and Koai, a career woman at a rival company. The appearance of Masaki, who does not live in work and in love, gradually loosens up.

A story about an albino brown bear and his woodland friends as they encounter various human artifacts in the woods and interact with them.

With the death of her father, a daughter reluctantly returns to the family temple hidden in the mist covered mountains where dark and forbidden secrets dwell.

A woman runs a “mistress service” and interviews young women for “dates” with men. Various couples get together but someone is following and watching them.

This story is based on the novel "Jo no mai" by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga ("picture of a beautiful woman") that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for "pine" and "green") from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight. The novel portrays the remainder of her stormy life, during which she is impregnated by her teacher and raises a fatherless child; through it all she devotes herself to her painting, undaunted.

A comedy of a yakuza family that goes into show business.

After many years of wandering, Tarou returns to Cat Island to meet his sister, Sakura, who has stayed with their adoptive parents. Though his family is pleased to see him, they all come to realise that the long separation has seen them grow into different people.

This biopic is centered on New Year's Day of 1894, when Kitamura is recovering from a suicide attempt. Japan is then under the spell of fervent patriotism because the government wants to build up public support for a war with China. Kitamura's literary friends and militant comrades come to visit. They wonder why Kitamura wants to kill himself. Kitamura at first refuses to receive them, then he sits down with them and looks back on his days as a civil rights militant, his stormy love life and his ardent but destructive desire to live literature to the full.