Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.

Noémie and Priscilla, two teenagers from a modest background, nurture the same violence, the same revolt. They seriously worry their families, who feel that these girls are capable of anything...

Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...

A César award nominated short feature.

The film will tell what happens to a group of characters, precisely between July 14 and August 15, 1994 in Paris. It will tell the story of three young ladies, Louise, Ninon, Ida, in the summer of 1994, their adventures in the big city. On the streets, in the gardens, in ballrooms and in libraries and lofts, deserted at the time of holidays and summer heat, Louis, Ninon and Ida proceed on mysterious paths.

In a rural French town, a 15-year-old closeted gay boy breaks free from his idolization of his older and ostensibly free-wheeling half-sister, learning to trust himself and become independent.

The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.