Israeli short films mini-series.

In Europe several several centuries ago, a group of prisoners about to be executed are freed as part of the celebration of the upcoming marriage of the emperor's daughter, Princess Gilda, to a very rich prince from another country. Sid Caesar composed the song "Clothes Make the Man". Ran 93 minutes on German TV.

Ze'evik and Srool are hiding in Tiberias from the angry customer to whom they owe money.

A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.