A naked body moves a stranger to empathy. Inspired by The Kuleshov Effect, a dizzying provocation on art and objectification.

Sam, newly a mother, shops at a supermarket with her baby and husband Carlson. She throws a neighborhood shishkabob party in her den. Her family shares a Sunday breakfast. But through her smiles and picturesque tasks, there's a suppression. Sam’s grown something she can no longer contain. As she purges this parasite, we move inside her body and experience this wildness as a feverish dance.The parasite ejects us back into the kitchen of another woman, alone eating breakfast as she looks at a happy couple pictured on the back of her cereal box. It’s Sam and Carlson. What's beneath a picture? A dream within a dream. Horror meets dance, SWALLOWED suggests a complex truth to motherhood and domesticity. (The Criterion Channel)

An innocent tourist travels to LA and unexpectedly conjures her sister's last night alive. Bold score, stylized dance and an eccentric cast, shot at The Standard Hotel, weave a dark and luminous film that revamps traditional narrative.

This is the first in Lily Baldwin's Paperback Movie Project. Each short film is an interpretation of a novel and explores the fluid relationship between a reader and the characters she is reading. What happens if you you fall into your book? A JUICE BOX AFTERNOON is a romantic and violent dream filled with stylized dance and pop-mash-up lullabies, that tells the story of Anne Morrow Lindbergh through her own writing as she comes of age, meets Charles Lindbergh, and experiences flight in more ways than one.

Seen through the voyeurism of glass pane, this is the story of 1960's coiffed etiquette gone awry. Dancing bodies reveal a meaty subtext as all protocol gets unhinged.

A love that transports through time and place. Inspired by iconic NYC love scenes from the 1970's, and an ode to Maya Deren's MESHES OF THE AFTERNOON. This meticulous craft of cutting-on-action proposes a dance as if it were literally occurring in front of you, like a live performance.

In an old school dance studio on the Hudson River where Merce Cunningham and John Cage lived for years, one gesture is explored in varying speeds: removal.

David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he's wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne's 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.

Sleeping With Frank shows a slice of a morning in Queens, NY. A couple readies for the day. Wake-up, get dressed, eat breakfast. The tableaux are familiar: cozy, rote, intimate and distant. Dance and choreographed gestures reveal a potent underbelly to the lacquer of such domestic normalcy