Taxi driver Larisa Aidarova from a small seaside town is preparing for the wedding with her beloved Maksim, with whom she has been working and living together for more than a year. But all plans collapse when Maksim is detained on suspicion of murder.

A drama about a 15-year-old teenager Maxim, who obsessively watches his father's mistress. Maxim wants to kill her, not realizing that this only complicates the situation.

40-year-old provincial Natalya Nikitina has been living in St. Petersburg for the seventh year. She works as a nurse for ailing old people and endures their countless quirks and humiliations. Once in her life, a new friend appears - a masseuse named Love, who plunges Natalia into the abyss of bright and risky adventures in search of love and happiness.

After the daughter’s death, Galina stays completely alone and loses the meaning of life. Suddenly she notices the incarnation of her daughter in a prostitute met in the elevator.

Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

Four best friends. They've been to war, they've seen life, but they are still passionate, young and willing to serve their country. They found their place at OMON - Russian Special Police Squad. They can count only on each other, and their real family is themselves. After working hours they become simple guys with ordinary dreams like family and comfort. But life changes when once in a night club the friends incidentally get in a fight with the local mafia. It turns out that they have no fear and they are ready to stand for each other whatever happens.

A group of Russian tourists go on a shopping spree to the neighboring Finland - only to be attacked by Finnish cannibals. We focus on a middle-aged woman and her teenage son who is shooting the film, as we watch it, on his cell-phone.

The action takes place in Victorian England in the last quarter of the 19th century. 27-year-old amateur detective Sherlock Holmes becomes a bystander to a crime along with Dr. John Watson, a military doctor who has just returned from the war in Afghanistan. During the investigation, Watson, not yet having an apartment in London, settles with Holmes in Mrs. Hudson's «half board», and then takes part in the affairs of his new friend. Watson gives Holmes boxing lessons. Watson himself is an experienced boxer, able to deal with several opponents with his bare hands. In addition, he is an excellent marksman. Considering Holmes a genius, the doctor decides to tell the whole world about his talent and the mysteries he revealed in his stories, where he often embellishes the events («the true story» of which the series presents). Watson is taught to embellish events by the editor-in-chief of the «Morning Chronicle».

Young Chechnya war veteran alienates himself from his friends and family because of his burned face. When he has to help find his war-time friend, he manages to get back to life again.

A storry about a friendship between two very different women.

This story unites the destinies of the landowners and their servants, and is considered to be one of the most complete portraits of the Russian life in the late XIX century. It takes place in Dry Valley, a village owned by the noble family of Khrushevs. The story tells about Natalia, a young and naive girl who serves in their country house. We see and experience her love, dedication to her masters, mysticism, exile, betrayal and faith, while the Dry Valley is falling to pieces, slowly but inevitably, as well as the lives of its inhabitants.

A group of Russian noblemen want to maintain the monarchy and plan to kill Rasputin.

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

Young Alisa is fed up with her life in Moscow, and moves to St. Petersburg. Her roommates in the collective flat are two junkies, Vel and her boyfriend Valera the Dead Man. First they fight, but soon the two women form a friendship. Together they even go after the Petersburg underworld when Dead Man is abducted because he can't pay his debts.

Pavel Shnyrev is a professional killer. He has a lot of enemies and a lot of problems. He is rushing, he is driven... Pavel's mother goes to the hospital, from her he learns that his father is alive. Pavel goes to a distant village and finds his father. Pavel's father has been blind for a long time, but this does not prevent him from living. He is always accompanied by a faithful assistant – a guide dog. Another life opens up to Pavel - the villagers, their simple way of life, the cares of the father. The mother also arrives, pursued by Paul's enemies, to take her son to a quiet place to "sit out". But Pavel does not leave the old man like a blind man, having felt a guide in him.

It was a time with a rise of artistic life in the former capital of Russia. But the rise ended quickly and tragically with arrests and executions. Modern St. Petersburg and Petrograd of 1921 strangely and intricately intertwine in the mind of the director. The cruel, bloody, but romantic world of the first years of the Revolution converge with the artistic and domestic life of contemporary filmmaking on the same ground, on the same streets and squares.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?