Enter the minds of one of history's most misunderstood bands. With hits such as 'Whip It' & 'Freedom of Choice', they shared a trailblazing environmental message but were often mocked. 40 years later, we ask: were Devo right?

Members of pioneering New Wave band Devo and golfing legend Chi Chi Rodríguez recall how their paths crossed when Devo used an image of Chi Chi for their debut album.

A concert film capturing Devo at the Fox Theatre in Oakland on their 2014 "Hardcore Tour," in which they performed 21 songs written and recorded before they signed with a major record label, many of which had never been performed live. The set is intercut with stories and commentary from the band members, as well as Toni Basil and V. Vale.

The Men Who Make the Music combines concert footage from DEVO's 1978 tour with music videos and interstitials featuring a vague story about DEVO's rocky relationship with ""Big Entertainment."" As for the bonus program, Butch Devo and the Sundance Gig, Jerry Casale says, ""In '96, we closed Sundance Film Festival. We wore 20s style prison suits, we did a special show with really old, hardcore Devo songs from the early 70s, before we ever had a deal.

Live performance of DEVO's debut album, "Q:Are We Not Men? A:We Are DEVO" at the Forum, London in 2009.

"This lone video artifact offers indisputable evidence that in 1980 Devo had reached a turning point. We were no longer just art monsters, we were mainstream performers too. " - Gerald V. Casale (from the back of the DVD case) August 17, 1980 Phoenix Theater, Petaluma

New wave geniuses who helped define an era with their quirky, futuristic, and revolutionary style are back, entertaining the Japanese crowds who love them as much today as they did 25 years ago. Devo have been through a lot over the years, developing their parody of humankind's plight of conformity in their theory of devolution after member Gerald Casale witnessed the Kent State killings of student protesters in 1970, but they haven't wavered in their innovative sounds and pioneering visuals.

The film details an entire live performance from Devo's 1996 reunion tour with Lollapalooza, opening for Metallica. The band performs a stripped down set consisting of songs from their first three albums, filmed at Irvine Meadows, California.

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Now, the complete truth can be told...Devo, the seminal New Wave audio-visual concept band made a career out of setting to music video their Dada-gone-camp theory of de-evolution and its riotous rebuke of corporate culture. Punk/New Wave mad scientists Devo were among the few bands to understand the music video's potential as art form during its infancy in the eighties. Their brilliant and bizarre videos were compiled on VHS and then on laser disc; that long out-of-print disc, The Complete Truth About De-Evolution, has finally arrived on DVD, which should please longtime fans of this eclectic outfit.

Like The Men Who Make the Music, We're All Devo! has a storyline to tie the videos together. In it, the character of Rod Rooter (Michael W Schwartz) is reviewing Devo's music videos for Big Entertainment. Much to his chagrin, his daughter Donut Rooter (Laraine Newman) is a fan of the band. Donut discovers the videos after asking her father for money to get an abortion (though this is not explicitly stated). Two excerpts from the storyline were included in the "Complete Truth About De-Evolution" laserdisc and DVD (both out of sequence) but the rest is exclusive to this videocassette. "Theme from Doctor Detroit" was also not included, and is unique to this tape. (Wikipedia)

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Part concert film, music video collection, and propaganda piece, The Men Who Make the Music was DEVO's first home video release. Features live footage from the band's 1978 "Duty Now for the Future" tour.

A failing television station is bought out by a slick TV evangelist and starts making mountains of money in the guise of religious programming, which is actually just an excuse to sell merchandise.

Not to be confused with the longform video of the same name first released in 1981, this earlier film was filmed as a prototype for that later piece and features DEVO in greyish-blue janitor uniforms. It includes songs such as Huboon Stomp, The Words Get Stuck In My Throat and Too Much Paranoias.

Several factory workers finish their day at work and get into a car. They drive to a club where they perform the song Secret Agent Man as a rock quartet. A man with a mask of a child named Booji Boy runs into a building where his father, a man named General Boy is waiting. Subsequently, a man gives a lecture by song on the subject of devolution.