A guy starts a fake casting agency in hopes that he will meet his soul mate.

With a simple plot and not much else, this undistinguished western is about Gabe (Jack Beutel), a rodeo name whose penchant for gambling causes him to lose all the money he made and quickly look for a steady job. Gabe ends up on a ranch plugging away as a cowhand but cannot escape his affinity for horses. Lou (Steve Keyes) and his sister Nancy (Madalyn Trahey) own the ranch and Lou comes into conflict with Gabe when he decides to kill a wild Palomino. Gabe will not allow it because he knows the stallion can be tamed. Environmentalists and others should enjoy the bloopers which put moose in Oklahoma, a raccoon in the 'possum family, and several animals in the wrong proximity.

A Hollywood singing-cowboy star with a big heart and an even bigger secret (he uses a double in most scenes because he can't ride, fight or sing) comes to the aid of a rancher about to lose his home on a rodeo bet.

Lash goes south of the border looking for a counterfeiter, a kidnapped engraver and his daughter, and the mysterious Frontier Phantom, while Fuzzy St. John studies hypnotism.

Sunset Carson is trying to raise money for a new school and his partner Sam Webster is out to stop him. When Carson plans a benefit prize-fight, Webster plans to make off with the proceeds.

A Pony Express rider discovers some mysterious goings-on during the construction of a telegraph line. When a murder is committed, he is blamed for it.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

The old bromide about the western town run by outlaws as a hideout for their fellow crooks makes a return appearance in Monogram's Land of the Outlaws. Since the crooks include such reliable disreputables as Charles King and John Merton, the good guys really have their work cut out for them. But not to worry! The heroes are Johnny Mack Brown and Raymond Hatton, whose B-western track record is unbeatable. Land of the Outlaws was directed by Lambert Hillyer, whose sense of rhythm and pace had saved many another inexpensive oater.

Flagwaving story of a new American destroyer, the JOHN PAUL JONES, from the day her keel is laid, to what was very nearly her last voyage. Among the crew, is Steve Boleslavski, a shipyard welder that helped build her, who reenlists, with his old rank of Chief bosuns mate. After failing her sea trials, she is assigned to the mail run, until caught up in a disparate battle with a Japanese sub. After getting torpedoed, and on the verge of sinking, the Captain, and crew hatch a plan to try and save the ship, and destroy the sub.