A group of six police officers solve disappearance cases that everyone else has already given up on.

Psychological games abound between detectives and suspects in a tense interrogation room, where the search for answers sometimes comes at a moral cost.

Madrid, 1966. Jesus Exposito is a lone wolf, a former policeman who has done himself and has a thorny past. It is one of the most veteran reporters Case, where he arrived a rookie journalist Clara Lopez-Doriga, a good girl, and cosmopolitan university eager to take on the world.

Lucio is an old Soviet general emigrated to Spain after the end of the Soviet period. Natasha is a 12 years old girl, the unknown nephew of Lucio, who is abandoned by his stepfather in the door of the house of his uncle. They don't know each other, they are both lonely people, they don't like each other... but now, the old Soviet general and the strange little girl must live together. This new situation will ask for great sacrifices to the girl and the General, they will have to look inside to find the best of themselves in the worst of their lives.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

A caustic satire of many of the 'types' found in Spanish society.

A caustic satire of many of the 'types' found in Spanish society.

A caustic satire of many of the 'types' found in Spanish society.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.

Diego and Clara have met recently and suddenly have the urge to live together. Afterwards, They find a house to live in. However, strange things start to happen.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

Biography of Julian Gayarre (1844-1890), one of the best tenors of all times. At 19, a professor at the Conservatory of Music in Madrid heard him singing for the first time and offered him a scholarship to continue his studies. His artistic life runs between continued success, becoming the world's greatest tenor. But in 1890, while singing at the Teatro Real in Madrid, a failure in his voice is like a cruel reminder of what would happen a few days later: his death at a young age. The doctors gave a diagnosis, but his friends know that Julian Gayarre died because he could not sing anymore.