The Highlands of Scotland. A fight outside the village hall. Robert Menzies lies dead and Allan Innes flees to the hills, pursued by Robert's brother. An old friend, Sandy Ross, tries to prevent the inevitable blood hunt.

A woman runs an 'establishment' for gay servicemen during World War Two in Scotland. A Scottish and an American serviceman meet and spend the night together there.

The true story of Jimmy Boyle, who was reputed to be Scotland's most violent man.

Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, and goes to Egypt, where he is befriended by Robert, whose undemanding companionship releases Jamie from self-pity.

When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his other grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

Three stories reflecting life in the Orkney Islands, two set in the past, and one in the present.

Two underprivileged Glaswegian youngsters are caught up in sectarian gang warfare after discovering crates stuffed with banknotes in the basement they use for a clubhouse.

Public Eye is a British television series that ran from 1965 to 1975. It was produced by ABC Television for three series, and Thames Television for a further four series. The series depicted the investigations and cases handled by the unglamorous enquiry agent Frank Marker, an unmarried loner who is in his early forties when the series begins. In the words of an ABC trailer for the third series: "Marker isn't a glamorous detective and he doesn't get glamorous cases—he doesn't even get glamorous girls. What he does get is people who are in trouble—the sort of trouble you can't go to the police about, even if you are innocent."