A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist.

When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.

After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.

An American talks a retired French crook into robbing a bank, but kidnappers demand the loot as ransom.

This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a penchant for old French melodramas (before "Roger la Honte" ,he redid "Les Deux Orphelines " -D.W.GRiffith's "orphans of the storm-. Georges Géret replaces Lucien Coedel and Irene Pappas takes on Maria Casarès's part of his mistress.Freda 's movie is more compact ,with a running time of 105 min,whereas Cayatte's version (1945-46) spread over two episodes with a total time exceeding 3 hours.It also benefited from the use of color .But all in all,it's the same old story.

A story about two girls who grew up as sisters, were separated and finally met again.

Georges Franju's Judex is an arch, playful tribute to the serials of the influential silent filmmaker Louis Feuillade. Franju shuffles through the plot of Feuillade's lengthy serial of the same name, about an adventurer named Judex (Channing Pollock) whose revenge against the corrupt banker Favraux (Michel Vitold) unleashes a complicated series of schemes.

An FBI agent works to arrest David Griffin, a murderous drug trafficker, and protect Juliette, the beautiful widow of Griffin's late partner.

In 1896 it is announced that the Olympic Games will be revived in Athens. A young shepherd, Spiridon Loues, decides to enter the 26-mile marathon. Once in Athens, he meets Christina Gratsos, a young woman from his hometown who is now the personal maid of Eleni Costa, Greece's most glamorous actress. Though he has arrived after the qualification date, Spiridon's athletic prowess so impresses Coach Graham of the American team that he is permitted to enter the contest. Eleni informs the press that she will marry the victor, confident it will be her lover, Lieutenant Vinardos.

In November 1942, American troops landed in Tunisia. German paratroopers were immediately launched and occupied Tunis. A French squadron of chasseurs d'Afrique was sent to Medjez-el Bab with the mission of occupying the bridge over the Medjerda. But the captain is mute and the cavalrymen don't know whether the operation is being prepared against the Germans or the Allies. The first hypothesis inflames Maréchal des Logis Bourgeon and his friend Maurice, who have not forgotten the defeat of '40. In the village, Maurice meets up with his friend Léa, a refugee, and discovers with fury that she is Jewish, because he doesn't like Jews any more than he likes English or Germans! The hunters set up camp on the bridge. Soon, a German column appears and demands passage. The captain refuses, awaiting orders from Vichy. But in Tunis, confusion reigns. Finally, the captain himself takes the initiative to oppose the passage of the German troops...

Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.