Nikkatsu drama film

Pinku from 1966.

Pinku from 1965.

South of Tokyo is a small island until quite recently relatively unchanged since feudal times. Now, however, it is being made into a tourist's playland and the girls, who had been abalone divers, now become geisha, and the old ways of the island are all topsy-turvy. One of the girls, more sensitive than the rest, sees that here, too, people are motivated only by greed and decides to leave and try to find a better life elsewhere.

Mumyo Tsunataro killed his betrayed fiance Orie and He flees to Utsunomiya. On his way he happens to saves Chisaka Hyobu's daughter Oyu (She is exactly like Orie) be attacked by ninja. Thus he stays Chisaka's residence in Yonezawa. Chisaka was just trying to stop Forty-seven ronin's revenge against Kira Kozukenosuke by female ninja's sexual entrapment. Chisaka asks Tsunataro to lead female ninja. Tsunataro accepts the request on condition of marriage to Oyu.

To save her husband and child from drowning a woman seeks help in a village nearby.

Early pinku.

1964 Japanese movie

Horror film directed by Satoru Kobayashi. Kin'ya Ogawa served as Kobayashi's assistant on this film.

Probable Pink movie from Koji Wakamatsu.

Horror film directed by Satoru Kobayashi. Kin'ya Ogawa served as Kobayashi's assistant on this film.

Early pinku.

During a fever, Tateo, the male protagonist believes he is dying and has the hallucination that his beautiful wife, Reiko (Tamaki Katori), the daughter of a wealthy family, is having an affair w/ another man. He then tells her an ancient Chinese story: the ancient Chinese philosopher Zhuangzi wanted to test the faithfulness of his wife, so he faked his own death; the wife was grief-stricken and went into mourning. While funeral arrangements were in progress, a handsome young man came to call on Zhuangzi. Zhuangzi's wife soon fell into love w/ the young man and decided to marry hi. However, the young man fell ill; his servant said that the only medicine to cure him is human brain. Zhuangzi's wife eventually decided to break his husband's coffin and take his brain. However the young man turns out be Zhuangzi in disguise.

The last film produced by Shintoho.

Comedy movie

1962 Japanese movie

The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.

Three women are kidnapped by a sadistic lunatic and forced to "entertain" his co-workers and friends.

Crime film distributed by Taiho.

Live-action adaptation of Ko Kojima's manga "Sennin buraku".

Japanese comedy film.

Japanese comedy film.

Japanese comedy film.

Japanese film about a juvenile delinquent who becomes a part of the Japanese Self-Defense Forces.

With the object of discovering the male accomplice of Hideko, a bad girl, Michiko, a police-woman, disguises herself and infiltrates a gang. Then in a reformatory, under the name of Suzuko, she finds a certain girl who is familiar with Hideko and from her she approaches a woman, named Keiko. One day, at a beer-hall, the police-woman meets Keiko who just finished a secret narcotics transaction and asks her about Hideko. However, with the sudden appearance of Saburo, one of the gang, her search fails, and an exciting pursuit begins. Later Keiko is found dead.

The murder of the chief official of Kobe city's Customs triggers an investigation of a prostitution ring called the 'Yellow Line' that sells Japanese women. A hired assassin is betrayed by his organization, and kidnaps a woman who happens to be the girlfriend of a newspaper reporter.

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.