A portrait of the Austrian avant-garde artist Otto Mühl/Muehl (1925-2013), whose work combined sex, violence, gastronomy and bodily effluence with unbridled abandon.

Filmmaker Jonas Mekas films 160 underground film people over four decades.

A homage to the Austrian experimental filmmaker Kurt Kren, his two films "1000 Years of Cinema" and "Snapspots" and his way of working; and that with a slight wink.

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. The third part was realized by Peter Tscherkassy based on a concept by Ernst Schmidt Jr.

Home movies shot on Super 8mm by W+B Hein over 10 years.

A guy having sex with a woman on a rooftop – just to get her coffee-machine.

Hans-Peter Hochenrath and Birgit Hein made a documentary film about me for the Saarland Network and wanted me to make a self-portrait. Instead of pointing the camera lens away from myself, I pointed it toward myself. I rewound the film over and over again so that multiple exposures were produced, while I was repeatedly fading in and out.

In a TV film about the film Casablanca, Kren is meant to read aloud three letters that Groucho Marx wrote to Warner Bros., because they wanted to take legal action against him over A Night in Casablanca. The recorded material could not be used on television and was meant to be destroyed. Kren found it and showed it uncut with its repetitions.

"This film is an attempt in focusing. I visited Kurt Kren in Vienna. (Kurt Kren is considered to be the father of the European underground film.) Kurt Showed me lots of documents, papers and letters, all about the fights he had with many restaurant owners in Vienna. But the film I made is not about these fights; I tried to focus on the eye of the hurricane, the eye of Kurt Kren. Is this Kurt Kren or isn't it?" (HHK)

The Austrian avant-gardist Otto Muehl may well be the most scandalous filmmaker to ever work in cinema, and Sodoma stands as his most famous work. This creation takes the experiments a bit further down the road.

Ludwig Schönherr | Federal Republic of Germany | 1969 | 18 fps | 3'25" | silent

A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.