We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

Following the shooting of a film on the life of Jesus called This Is My Blood, Marie Palesi, the actress who plays Mary Magdalene, takes refuge in Jerusalem in search of the truth behind the myth. The director of the film, Tony Childress, who also plays Jesus, can think of only one thing: self-promotion. Meanwhile in New York, television journalist Ted Younger presents a programme about the life of Jesus.

A police inspector suspects a serial killer is afoot in the university city of Bologna, luring in his victims through online video chats before murdering them and assuming their identity.

Three stories that provide an irony-laden analysis of the Neapolitan bourgeoisie and of small-time intellectualism and aspiration.