A husband and wife act are hoping to find success on Broadway.

In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

A Los Angeles newspaperman seeks a woman's sister and finds a black-market baby ring.

Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing, but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami).

When Joan Boothe accompanies husband-reporter David to Las Vegas, she begins gambling to pass the time while he is doing a story. Encouraged by the casino manager, she gets hooked on gambling, to the point where she "borrows" David's expense money to pursue her addiction. This finally breaks up their marriage, but David continues trying to help her.

A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.

Raised by Natalie Brennan, a flamboyant and irresponsible mother, Ziggy Brennan gets involved in hustling men at a young age. She hangs around with a wild crowd and learns gets her "street smarts" first from her mother, who wants everyone to think they are sisters, and then from Denny Reagan, an older man. He starts teaching her his tricks of the trade and she falls right in line with his crooked ways. Then one night she meets Martin J. 'Mart' Neilson, a tall, handsome, honest farmer boy who's a sailor and they fall in love. While he's away fighting the war, she discovers she's pregnant.

Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.

A scientist working on cures for rare afflictions, such as a bone softening agent made from molds to allow him to correct the spinal deformity of his nurse, finds the physical causes of lycanthropy in wolf-man Larry Talbot and of vampirism in Count Dracula, but himself becomes afflicted with homicidal madness while exchanging blood with Dracula.

A cowboy investigating his brother's murder finds himself going up against a banker who holds the deed to the cowboy's family ranch.

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.

A police detective falls in love with the woman whose murder he's investigating.

Hoot Gibson and Bob Stanley ride into Arizona seeking the killer of Bob's father, who managed the stagecoach line in Eggleston for Kelso McGuire.

The Utah Kid was a late entry in Monogram's "Trail Blazers" series. These low-budget westerns usually featured three cowboy stars; this time, however, there are only two, Bob Steele and Hoot Gibson. Though neither star is a spring chicken, Steele is the younger of the two, so he's the "Utah Kid" by default. The plot, involving a gang of crooks who go around fixing rodeo results, was designed to accommodate yards and yards of stock footage.

Wounded while stopping the James gang from robbing the local bank, a cowboy wakes up in the hospital to find that he's been elected town marshal. He soon comes into conflict with the town banker, who controls everything in town and is squeezing the townspeople for every penny he can get out of them.

A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.