Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

A profile of Michael Foot, the former leader of the Labour Party, which included footage of him on the night of Tony Blair’s historic 1997 victory, and interviews with his wife, the filmmaker Jill Cragie, and some of his old colleagues and friends, including Barbara Castle, Spike Milligan and Salman Rushdie.

A three part series about women working in the British film industry during the 1950s.

The ill effects on children's bodies and minds of the chaotic conditions being countered by the endeavours of UNESCO. The film emphasises especially the problem of the devastated areas.

Make-Up is a 1937 British drama film directed by Alfred Zeisler and starring Nils Asther, June Clyde and Judy Kelly. It was a circus film made by an independent production company at Shepperton Studios.