"The Spider and the Fly is set in Paris during the cloud-cuckoo days before WW I. The storyline intertwines the destinies of three people. Guy Rolfe plays Phillipe de Ledocq, a resourceful safecracker who always manages to elude arrest. Eric Portman is cast as police-chief Maubert, who will not rest until Ledocq is behind bars. And Nadia Gray is Madeleine, the woman beloved by both Ledocq and Maubert. Just as Maubert has managed to capture his man, Ledocq is released at the behest of the government, who wants him to steal secrets from the German embassy revealing the whereabouts of the Kaiser's secret agents. And just how does Madeleine figure into all of this? Spider and the Fly is a diverting precursor to the 1960s TV series It Takes a Thief." ~ Hal Erickson, Rovi

During a rainy Sunday afternoon, an escaped prisoner tries to hide out at the home of his ex-fiance.

Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).

An operation of counterfeit five pound notes is discovered at a variety theater, leading to murder during the performance.

Jaap van Leyden is in charge of a shipyard in newly occupied Holland. At first he collaborates with the Germans because it is the easiest course to follow. Later a child's rhyme reminds him of his patriotic duty, but how best to resist the Nazis without endangering his wife and fellow workers?

Government information film on how to get maximum wear from a man's suit, narrated by one such suit in the form of an autobiography.

A tale of life on board a Royal Navy cruiser assigned to protect the vital convoys between America and England during WWII.

American chorus-girl Mamie Wallace (Farrell) travels to Paris with a ramshackle touring musical revue. The company runs out of money, and it looks as though Mamie and her dancing colleagues are going to be stranded in Europe with no way home. Luckily, she meets a handsome, well-spoken Englishman Peter Millett (Hulbert), who falls in love with her and proposes marriage. Under the impression that he is a man of means, she readily accepts, imagining an entrée to English high society. The couple return to England and Mamie discovers to her horror that not only is her new home a decrepit farmhouse out in the sticks, but that Peter is a widower and his three children also come as part of the package.