Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

A lonely woman pays a homeless stranger to take over the role of her ex as she struggles to let go.

Funded by the German Federal Cultural Foundation and the Munich Documentation Centre for the History of National Socialism.

This outstanding and sensitive drama series tells a young and family audience the stories of children who lived through a most difficult era in recent history - and who grew with its challenges.

Unsatisfied with his his place in New York's art scene, Artist Peter Bjorn relocates to Berlin in search of change. Meanwhile in a remote Polish village, Alicia prepares to become a nun but, feeling home in nature, her reveries continually distract her from her religious path. Both lost in their own ways, their friendship leads them to yet another new beginning.

MIDDLE OF BEYOND blends fiction, news clips, and animation recounting ten days in the life of Malte Krumm, a month after the latest US elections. The film depicts the numbness of a world flooded by information and social media activity, where the borders between reality and illusion are crumbling and narcissism and self-promotion overshadow moral values.

Druck follows a group of friends in their teen life in Berlin and deals with daily and current events, like friendship, love and the search for their own identity. Every season centers on a new character.

Mila and Charly use this way of escapism to avoid facing their respective crises. Hoping to find new ways of coping with their inner dead ends, they decide to take a trip to the sea but not take into account that they are taking themselves with them.

A dark cloud is creeping over Berlin. As the citizens go about their daily activities, Kore is haunted by a black shadow – a menacing memory from the past. Meanwhile, a full-grown bear escapes from its cage, throwing the whole city into a panic. There is no way out – Kore must face her worst fear.

The film centers around the lives of three men - three generations of a family which are all entangled in the effects of gambling addiction.

A political activist falsly accused of being a terrorist is put into prison by a government hoping to gain information by subjecting him to chemical waterboarding.

After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.

Bella is a single mother business and mother trapped in the normal everyday insanity. Nevertheless, she is happy. But from now on, everything gets out of hand. The house, in which the elderly-shared apartment of Bella's father and their own physiotherapy practice are located, is to be sold and renovated. Bella would not be Bella if she was not determined and would fight with all her might against the injustice and sale of the house. But as she juggles with family, her practice, PR campaigns, demos and squatters, Bella needs to realize that even her power is not endless.

After getting kicked out of her home, Manou, a young drifter, hitchhikes a ride with troubled sales rep Johannes. Their chance encounter on this hot summer day offers an escape from their struggles but reality soon enters the picture.

A true story, Bela Kiss was one of the the most brutal serial killers, who killed 23 young women during the beginning of the first World War. The blood-drained bodies were found in metal barrels, conserved in alcohol. According to rumors, he was still seen decades later, in different parts of the world. He never was found and so the whereabouts of this man are unknown, even today. Almost a century later, five bank robbers search for a hideaway in a remote hotel, as they flee from the police. Brutal and unforeseen events take overhand and build a bridge to the past. The assumed safe house turns into a nightmare... is Bela Kiss still alive?

Lore leads her four younger siblings across a war-torn Germany in 1945. Amidst the chaos she encounters a mysterious refugee who shatters her fragile reality with hatred and desire.

A day at the factory. Bekel is called to the boss. Through a chain of events the two men are forced to examine their place in this world.

A portrait of two teenagers, growing up in a council estate, whose lack of prospects brings them closer to each other.

Nils Philippi, advertising photographer, accuses himself of being an incorrigible hypocrite. He's been that way since he was a child, said what earned him recognition, what made him look good. He knows his problem, he just can't get rid of it. Nils illustrates his suffering to his analyst, putting himself in the limelight once again.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A man has disappeared. His pregnant girlfriend waits in vain for a sign. She clears out his abandoned apartment, assembles fragments of their shared existence, and prepares for her new role as a single mother. DANIEL is an essayistic examination of an intangible loss.