Nights and Days is a family saga of Barbara Ostrzeńska-Niechcic, and Bogumił Niechcic, against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dąbrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one.

On the night of August 31, 1939, Dolas, from a platoon reinforcing a train station on the German border, falls asleep in a train car and unknowingly crosses into Germany. The moment he shoots a German, who he thinks is a saboteur, the German invasion of Poland begins, and Dolas is convinced it was his fault. He is taken to Stalag POW camp, the first destination in his odyssey around Europe.

A young doctor, accused of desecrating a body, is brought to the presence of the Inquisition.

A staging of William Shakespeare's tragedy, directed in 1969 by Andrzej Wajda. The roles of Macbeth and Lady Macbeth are played by Tadeusz Łomnicki and Magda Zawadzka - actors who at that time gained popularity in the series "Pan Wołodyjowski". This perverse use of the artists' images by the director was intended to serve an interpretation of the tragedy that emphasizes Shakespeare's question: where does evil in man come from?

Stawka większa niż życie is a series about the adventures of a Polish secret agent, Hans Kloss, who acts as a double agent in the Abwehr during Second World War in occupied Poland.

The Countess Cosel is based on the true story of the beautiful Anna Constantia of Brockdorff, a German noblewoman who became a mistress of Augustus the Strong, King of Poland and Elector of Saxony in 1704.

Study of a man obsessively seeking revenge.

Because of having a one-day plane delay, Konrad has to spend 24 hours wandering around Warsaw, visiting old friends and meeting some new ones.

A thriller about Polish Intelligence Service working on detecting a net of foreign spies.

Twin brothers, Jacek and Placek, are the town's troublemakers. They're lazy, greedy and also cruel. They despise hard work, so they cook up a plan to make easy money that would make them rich for the rest of their lives: steal the moon and sell it. They set on a journey to find a place where the moon would be low enough for them to steal. Before they leave, they take the last loaf of bread from their poor hardworking mother. After numerous adventures the boys manage to catch the moon in a fishing net. But it is only the beginning of their troubles.

The fate of a working-class family during the third Silesian Uprising.

All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.

A tale of a young impoverished nobleman, who with his uncle returns from a war against the order of the Teutonic Knights in Lithuania. He falls in love with a beautiful woman and pledges an oath to bring her "three trophies" from the Teutonic Knights.

Zbigniew Cybulski and Sonja Ziemann play lovers struggling to find happiness and privacy in overcrowded Warsaw. The movie shows an honest picture of life in a war-damaged city, contrasting the characters' difficulties with their dreams of a better life. It was banned in Poland in 1958 and would not be seen anywhere until its European release one year later.

Karwowski, son of a pre-war colonel, is transferred from the West to Poland with the task of assembling a spy and diversion network. The task seems to be easy. However, after landing in Poland, it turns out that nobody wants to cooperate with him. Karwowski's "100% reliable" contacts with potential collaborators turn out to be completely outdated.

Through the fate of the boy - whose hunger drives from his home village , and who receives a severe school of life , going through different social environments in order to become conscious , revolutionary activist - creators show a realistic panorama of conflicts in pre-WWII Poland.

In war-ravaged Warsaw, five juvenile delinquents are given probation for stealing, to rehabilitate themselves, but remain under the influence of their profiteer-boss.

A young hairstylist leaves her husband and joins a group of working women.

While visiting Warsaw, Hanka falls for a record-breaking bricklayer. She returns to the city to work at construction sites and prove that women can work as hard as men

An old worker secures the future of his steel mill during the war.

Unvanquished City (Polish: Robinson warszawski, Polish: Miasto nieujarzmione) is a 1950 Polish drama film directed by Jerzy Zarzycki. It was entered into the 1951 Cannes Film Festival.

A war drama that tells the story of the discovery of the illegal AL printing works by the Nazis, showing the activities of the left-wing underground in the occupied capital.

The son of a miller, following his call, flees to the sea, but after several years he returns to his family and to his childhood romance, Hanka.