La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.

John Copley’s colorful production, with designs by Beni Montresor, was created around the beloved superstar Luciano Pavarotti. As the simple, good-hearted Nemorino, he enchanted audiences with his larger-than-life personality as well as his golden voice. Enzo Dara as the quack Dr. Dulcamara provides the elixir of the title that helps Nemorino win the heart of Adina, the girl of his dreams, sung with youthful energy by Kathleen Battle.

With its hilarious hijinks and vocal virtuosity, Rossini’s madcap comedy always proves a delightful treat. For this 1988 telecast, the Met assembled a cast capable of tackling both the musical and physical challenges of this bel canto farce, seen here in a whimsical production by John Cox. From the moment he takes the stage with Figaro’s iconic aria “Largo al factotum,” Leo Nucci combines winning charm with a robust baritone. Soprano Kathleen Battle tosses off one glittering vocal display after another as the feisty Rosina, while tenor Rowell Blake makes for an ardent Count Almaviva. Ralf Weikert conducts the lively performance, which also includes the comic duo of Enzo Dara as Dr. Bartolo and Ferruccio Furlanetto as Don Basilio.

The historic 1984 revival performance of Il viaggio a Reims was the first time in over 150 years the opera was performed. Set in a luxurious hotel in Plombières-les-Bains, the opera follows a diverse group of aristocratic characters as they gather to celebrate the coronation of King Charles X of France. Amidst the festivities, wacky antics ensue, romantic entanglements unfold, and the characters face various comedic and dramatic challenges, showcasing Rossini's masterful blend of music, comedy, and drama.

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

A bachelor attorney with a roving eye for beautiful women stets his sights on a Young student for his next amorous conquest.