Based on real facts, recalls the alliance between Portuguese, Timorese and Australians against a common enemy that did not hesitate to commit the greatest atrocities against the local populations and against all those who opposed him.

Through an acting game, the director's parents become movie stars to talk about the cancer they both overcame and the fear of loss.

Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

Upon receiving the news that he's dying, a man searches for his friend, hoping to seek a final moment with him.

This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.

The plan of issues, since 1962, an alive and continuous legacy of Calouste Gulbenkian Foundation

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Urban series that takes place between the Beach of the Shells and the new School of Arts that is being born in the palace of the Barahona family. Against the background of the mythical line of Cascais, this series has a plot full of strong emotions. Each episode combines different lines of stories that cross each other: the freshness of the summer novels, the rebelliousness of youth, the adventures and peripécias lived on the beach, the fight for fame, the generational conflicts and the reunions that can happen... when least expected.

Madalena is 30 years old and is abandoned by the love of her life a mysterious Spaniard named Ricardo. With the support of her best friends she tries to forget him, and find true love.

Adília was once a successful pianist. Now her only contact point with the world is her daughter.

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

Teresa finds out in Africa that her husband, Xavier, was lost in child prostitution. She flees to South Africa where she meets the maid's daughter, prostituted. It ends up getting the Mozambican police to save her and testify against the network of child prostitution. She becomes a star. The rescued girl has the media attention and also becomes a star.

Catarina Menezes is a bisexual TV reporter who decides to have a child on her own and chooses Spanish humanitarian doctor Rafael to father the child, setting up an elaborate charade to lure him into her bed. When Catarina reveals her pregnancy, though, her current live-in girlfriend doesn't take to it kindly and promises to make Catarina's life hell; to make matters worse, Rafael finds out her true identity and comes to Lisbon to see her. And Catarina's sole refuge is in the arms of fellow journalist Francisco, her professional relationship slowly becoming a romantic one.

O Visconde is based on the same Álvaro do Carvalhal short story as Manoel de Oliveira's The Cannibals.