This ten-minute segment, heralded as part of a new shorts program, is composed of excerpts from a 1972 audio conversation between Hawks and Peter Bogdanovich, as well as a 1973 interview of Hawks with Richard Schickel, wherein the director reminisces about casting "His Girl Friday" (1940) and the changes from the original source material.

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

Argentinian film historians find a complete print of Fritz Lang's “Metropolis” (1927) at Buenos Aires Film Museum and take it to Germany for its restoration.

This documentary focuses on 1939, considered to be Hollywood's greatest year, with film clips and insight into what made the year so special.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

An appreciation of Howard Hawks' "Rio Bravo" (1959) by filmmakers and historians.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

A review of Howard Hawks's work, focusing on "His Girl Friday".

Martin Scorsese celebrates American movies from the silent classics to the Hollywood of the seventies.

Documentary featuring the last filmed interview with director Howard Hawks

Acclaimed profiles of eight great American film directors. Produced and directed by Richard Schickel and narrated by Cliff Robertson, with solid interviews and film clips, the series reviews the careers of Raoul Walsh, Frank Capra, Howard Hawks, King Vidor, George Cukor, William A. Wellman, Alfred Hitchcock and Vincente Minnelli.

A documentary filmography of Howard Hawks, including lengthy footage of Hawks himself discussing his films and many clips from his best-known pictures.

George Plimpton got a job playing one of the bad guys in the Howard Hawks-directed John Wayne Western "Rio Lobo." In this special we see him talking to Hawks about whether he'll be killed off or not, to Wayne about how to cultivate a special walk to make oneself a star in movies and to himself as he attempts to rehearse his tiny part and while doing so is caught in the frame of a setup for another scene and chastised by Wayne. Wayne calls Plimpton "Pimpleton" throughout this special.

The lives and passions of a stock car team are revealed against the turbulent backdrop of the professional racing world.

Research chemist Barnaby Fulton works on a fountain of youth pill for a chemical company. One of the labs chimps gets loose in the laboratory and mixes chemicals, but then pours the mix into the water cooler. When trying one of his own samples, washed down with water from the cooler, Fulton begins to act just like a twenty-year-old and believes his potion is working. Soon his wife and boss are also behaving like children.

Hedda reports on a dog training school and a Hemingway hunting trip.

In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

World War I ace Dick Courtney derides the leadership of his superior officer, but he soon is promoted to squadron commander and learns harsh lessons about sending subordinates to their deaths.

A tour of the Metro-Goldwyn-Mayer Studio in 1925 shows the people who make the movies there, and gives viewers a glimpse at how movies are made.