Based on the short story by Nikolai Gogol, this blackly comic fairytale is about a lonely social outcast who, in an effort to raise his status at work, spends all his money on a new overcoat, which seemingly gives him the approval he craves. But when it's stolen from him, he cannot return to his previous life of anonymity, leading to a downward spiral from which there is no return.

Alexandros wants to open a bar in a district town so he travels to Romania to find young girls to work for him.The bar has unprecedented success but then something happens.

An ailing, elderly poet reminisces about his life of unrest and homosexual urges.

A journalist (Alekos Alexandrakis), working together with a young director (Peris Michailidis), tries to gather information about a family that was separated due to political turmoil. They locate some of its members, who tell their dramatic stories that began with the Civil War. The two men’s search is interrupted when a key person refuses to speak

The most important political, post-military junta satire about the nation, the religion, the education, the family.

A biographical film about the great Greek politician Eleftherios Venizelos for the period between 1910-1927. The film highlights his vision of a Greater Greece and refers to important events in Greek history such as the formation of a government by Venizelos after the Goudi movement, his dispute with the King over Greece's stance in the First World War, the temporary his withdrawal from politics after his defeat in the 1920 elections and the Asia Minor disaster. A biography of the former Greek prime minister Eleftherios Venizelos and the recreation of his acts and the political and social climate in Greece from 1910 to 1927.

Four robbers attempt, between several misfortunes, to steal a famous statue from the museum of Delfi under the orders of a blackmailer.

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.

In a cul-de-sac in the Faubourg-Saint-Antoine, Leon shares two rooms with his sister Marie. In one, he receives his clients: he is a tailor. In the other, Marie receives her own: she is a clairvoyant. Leon was happy until he learned what Marie was hiding from him. She is actually a prostitute, and Maxime, her supposed fiancé, is her pimp. On the same day, Leon also discovers love in the form of Arlette, a provincial young woman picked up by Marie.

The vice-minister of Foreign Affairs of Czechoslovakia, knowing he's being watched and followed, is one day arrested and put into solitary confinement by his blackmailers.

A Bullet Through the Heart (French: Une balle au cœur, Greek: Μια σφαίρα στην καρδιά) is a 1966 Franco-Greek film directed by Jean-Daniel Pollet. Francesco, a young Sicilian aristocrat, scars an aging gangster who has set out to take away his property. The gangster vows to obtain vengeance, and Francesco is forced to flee across Greece with his girl friend, pursued by his antagonist's vicious henchmen.

Two friends (Thanasis Vengos and Vasilis Diamantopoulos) meet after many years and recollect the tragi-comic events they went through during the German occupation.

Maria falls in love with George who is a student of her strict father, Andreas Economou. Dolly, a classmate of Maria spends a night with George and the next morning tells Maria about it. ..

This film is a social comment of the times, exploring issues that centre around relationships and what was allowed and what was not allowed at the time (early 60s) in Greece. There are sub-plots also, mainly relating to the life of the poor city dwellers, social injustice and seeming double standards. Aliki Vougiouklaki is a poor young girl dreaming of a better life and the "handsome prince on a white stallion" who will deliver her from her miserable existence. She meets and falls in love with a young man (Nikos Kourkoulos) who also falls in love with her, but things are not as simple as they first seem. His past comes to haunt them with tragic consequences. Vassilis Diamantopoulos is excellent as the half-crazed old captain whose life strangely echoes that of young Aliki.

Adapted from Nikos Foskolos’ theatrical play. On a terribly stormy night, in a secluded hotel, the owner, Brigadier Norton, is murdered. Prime suspects: his daughter Elena, his second wife Liza, Liza’s niece and her fiancé, Norton’s physician, and the hotel staff. Inspector Fox and his assistant, policeman Petridis, are assigned the investigation of the crime. While the suspects’ questioning is under way, some more people arrive at the hotel: detective Tilemachos Christofis with his assistant Aliki, and lieutenant Karalis, a sworn enemy of the victim, complicating things even more.

A modest film of three independent parts showing sad couple stories.

A few hours after the arrival of Aristeidis (Dinos Iliopoulos), Mary's (Kakia Analyti) soon to be fiance, her father Andreas (Vasilis Diamantopoulos), an upstanding citizen, lies about having a meeting with the Bishop and instead goes to meet his neighbor Betty (Anna Kyriakou). Aristeidis, on his way to Mary's house as a series of misfortunes and ends up in a fight with Andreas (whom he does not know) while he is with Betty at a studio apartment.

An old chauffeur, after removing his rambling son, decides to live with his orphaned girl while facing the advent of the car that displaces the carts.

The funny things that happen through the walking by the neighborhood night shift of a kind policeman.

The Last Mission (Greek: Teleftaia apostoli) is a 1950 Greek drama film directed by Nikos Tsiforos. It was entered into the 1951 Cannes Film Festival.