Ishbo is a caveman living in the prehistoric age who thinks there's more to life than hunting and gathering. He tries to better the lives of those in his tribe by inventing things like spoons and the toothbrush, which leave everyone, including his parents, unimpressed. He also has a thing for cavewoman Fardart, but she only has eyes for his brother Thudnik. Can Ishbo prove his worth when a rival clan attacks?

When a lucky cow wins an all expense paid weekend at a local hotel, it can’t believe its good fortune. It gets to relax, unwind, and avoid a trip to the slaughterhouse - at least for a few days. Of course, it couldn’t imagine the menagerie of madmen it would run into. Down the hall is a pair of drug addled dimwits who are desperate for something to eat. The cow becomes their main focus. Meanwhile, two different spree killers are wrecking havoc. One murders at the command of some erroneous bath linen. The other listens to a voice inside his shoe, the instructions resulting in even more dead bodies. All the while, our contented animal tries to accommodate everyone’s needs, which typically revolve around a room service meal of meat and potatoes.

Holiday Weekend centers on how people relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife. Holiday Weekend is like several small sketches that add up to one incredible portrait.

A young man who likes to Rollerblade must face the fact that the documentary about ants his father is making might is driving his father insane.

Following multiple plotlines with an unique assortment of tragicomic characters living along the Ventura Highway. There’s the retired police office, broken and homeless after the untimely death of his son during a birthday camping trip. The elderly homebound father, hopelessly doomed to pantomime the sexual conquests of his glory days with an imaginary prostitute named Serenity. The French midget writing his epic screenplay about a half-man/half-stuffed animal chauffeur.

“After a fall at a local bar, an elderly alcoholic asks his adult grandsons for one last favor. Seems several years ago he took five hookers to a remote hotel suite known as the Pony Room and spent the entire evening satisfying their every need. Now, nearing death and continuously soused to the gills, he wants Ed and Burt to take him back there for a weekend of reminiscing. The road trip will be difficult, especially with Grandpa’s lack of control (bowel or otherwise), but what waits there is even more disconcerting – a cursed can of chicken noodle soup.” (review excerpt by Bill Gibron)

Gregory is having problems with his mom and dad. He’s getting older and more senile by the day. She is sleeping with live-in handyman Richard. Even worse, all have failed dreams and aspirations. Father wanted to be a poet. Mother had visions of being a singer. And Richard tried a career as a rapper under the name ‘PO Box’. When a secret from the past threatens their domestic bliss, the police must be called in to quell the storm.

In this third volume of the Best of Tromadance, viewers can sample fifteen of the best films from the 2003 and 2004 Film Festivals totally over three hours. Titles include Giuseppe Andrews' "Dribble;" winner of the Tromadance / Kodak Independent Soul Award, Kevin Maher's "Monkey Brains," "Kung-Fu Kitties" and "Marijuana's Revenge" by the filmmaking team of Philip Gunn, Daniel Guiterrez and David Valdez. Also included are Matt and Greg Brookens' "Skunk Ape!?," Jamie Greco's "PDA Massacre" and others.

Material from this film (as well as other sequences previously shot but never used in other films) were eventually edited into what became Period Piece in 2006.

Winner of the Tromadance/Kodak Independent Soul Award, Giuseppe Andrews’ Dribble is a short film set in the director's trailer park.

Plop - named after the sound he made upon his birth - is a notorious infant caregiver wanted by the police. Apparently, unwitting parents (including a particularly proud gay couple) have hired the semi-retarded redneck nanny under the pretense that he takes good care of his toddler charges. Instead, Plop beats and humiliates the children, taking out his own sad mental issues out on them. Thanks to an ex-girlfriend. However, the cops are hot on his trail. It won’t be long before the long arm of the law, or a mangled baby with a can of soup, ends Plop’s cruel crime spree once and for all.

On his 62nd birthday, confirmed lazybones Herbopolus grabs his nest egg and buys himself a new trailer, a fine 5th Wheel. Now all he has to do is sit back and wait for the Social Security checks to start rolling in. In the meantime, his insane brother Bananas Foster escapes from the Catalina Mental Institution and, looking for a place to hole up, gets Herbopolus to let him stay in his swanky new digs. So does their dad, a sex change octogenarian who's lesbian lover has kicked him out of the house. When the government fails to come through, they resort to collecting and recycling aluminum cans to make ends meet.

Trailer Town is a unique motion picture experience, truly unlike anything you've seen before. A sexual interpretation of inner violence, about out-of-work comedians living in a trailer park run by a soap opera star. The old comedians cannot work anymore due to their addictions, and come up with the filthiest, most offensive routines they can devise, to strike out at mainstream society, their only audience being themselves. When Bill recieves an eviction notice for having too many wild parties, he takes to the roof of his trailer with a rifle, and declares he is a victim of an 'aluminum holocaust.'

a cop gets fired from his job and becomes homeless along with his son this is one of giuseppe andrews lost films, it was made in 2003 and only got released in pieces via period piece, not much is known about the whereabouts of utopia blues or if anybody even has a copy still

Black Jesus just can’t take it any more. He hates his dying wife and his transsexual son - but not for the reasons you think. She won’t let him obsessively cut coupons, and he/she fetishizes guns to the point of distraction. His other daughter is a dope fiend, and his recently deceased father was an out and out pervert. And don’t even bring up autistic child prodigy Hobie. Desperate to play the violin, the partially blind boy spends his days roaming around the city, instrument in hand and toilet paper tube up to his bad eye. When the youthful talent meets European Ernie, it seems like everything will be all right. He coaches the child, and even suggests someone who might be able to teach him a thing or two. In the meantime, Mom and the sexually confused Shamu build a bomb. With Black Jesus out of the house, they intend to avenge the cultural attacks on religion once and for all.

Wiggly Harris is a volunteer worker at a senior citizen's home. Due to his obsession with stealing wigs, Wiggly has a warrant out for his arrest. Freaked out that his unemployment benefits have almost run out and bombarded with relationship issues(his stripper girlfriend demands that Wiggly lose his virginity to her and start meeting her sexual needs in one of the most memorable sex scenes ever filmed) Wiggly is quickly losing his grip. Further frustrated by his oddball parents (the father, a religious fanatic who feels the end of the world is coming soon, and the mother, who collects photos of food) Wiggly comes to a horrific end.

Apartheid has been ordered to Green Hockers Rehab Center for excessive drinking. His habit is so bad that his life has become one continuous case of the DTs. As a matter of fact, a disembodied old man with the same initials seems to be controlling his attempt at sobriety. Forced to wear a monkey around his neck to highlight his problem, said simian comes with two bags of rocks around its legs. The longer Apartheid stays, the more rocks will be removed and the less weight he will have to be subjected. Of course, DT doesn’t help. He offers disquieting visions of smiley faced stones that punch people out, remote control apes that choke people to death, and others with equally oppressive addictions of their own. As he battles with the bottle, losing most of the time, all Apartheid wants to do is get away from this abusive clinic. Little does he know that, just like Hotel California, he can check out any time he likes, but he can never, ever, ever, leave.

“Two wannabe ‘gangsta’ white boys share a trailer – and a case of squirrel-influenced stomach flu. An old man channels the spirit of a horse known as Mr. Ted and writes a hate-filled tome in the steed’s name. Two meth dealers discover a rat in their lab and one adopts it as his very own pet. A young man must face the fact that his mother is a whore and his father is her pimp. A middle aged man must face the fact that his mother is dying of emphysema and losing her marbles. And what do they all have in common, aside from an addictive need to drink the latest alcohol-laced specialty beverage, Pussy Juice? Why, it’s the unending craving for sex and/or sexual fulfillment – and sometimes, not in the way “normal” people view such biological and physiological desires.” (review excerpt by Bill Gibron)

60 year old widow and cystic fibrosis sufferer Daisy (Gayle Wells) hooks up with crack addicted lonely ex-cop Rick (Walt Dongo) in a trailer park romance.