He has sold 120 million albums since 1960, that is to say more than 60 years of career and more than 7000 concerts all over the world, but Salvatore Adamo remains humble, concerned about others, his family and his public. Can one write a story with so many good feelings? Without a doubt, he brings to those who follow him always a deep peace and joy. In this documentary, Salvatore Adamo tells the story of his career and his special relationship with his audience. To the sound of his most beautiful melodies, he confides without taboo on his musical journey, his inspirations and his musical and artistic universes in a broad sense.

This document proposes an immersion in the French society of the 60s and 70s and in the youth of the time with the testimonies and confidences of Sheila, Salvatore Adamo, Antoine, Hervé Vilard, Michel Fugain, Nicoletta, Michel Jonasz, Laurent Voulzy and the photographer Tony Frank. They tell with hindsight and humor, their beginnings in the 60s and 70s, and before becoming idols. It is also an opportunity to leaf through the pages of the successful magazines of the time "Salut les copains" and "Mademoiselle Age tendre". Created by Daniel Filipacchi, they highlighted the idols of the moment, music, fashion, sexuality, consumer objects and questions about society.

A portrait of one of the most successful European singers of all time. Salvatore Adamo arrived in Belgium from Sicily at the age of three. A miner’s son, he began singing at an early age before finding fame at home and then internationally, in the 1960s.

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.

The program combines comedy, celebrity, musical guests, and human-interest stories.

Star Academy is a French reality television show produced by the Dutch company Endemol. It consists of a contest of young singers. It spawned an equally successful show in Quebec called Star Académie. It is broadcast on TF1. At the end of each season, selected contestants would go on tour around France, Morocco, Switzerland, Belgium, Tunisia, and other French-speaking countries.

Host Jacques Martin invites different talented children from various backgrounds to showcase their beautiful voices. The participants entertain and wow the audience with their lovely performances.

A French variety show.

A French variety show.

A talk show presented by Michel Drucker

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

The show was meant to compete with those on West German television. To this end it was fairly successful even attracting a following in parts of West Germany which could receive Eastern TV. Its production values were high. Apart from song and dance numbers and appearances from East German celebrities, almost every broadcast featured well-known stars from the west, often after their popularity had peaked in their home countries.

The show was meant to compete with those on West German television. To this end it was fairly successful even attracting a following in parts of West Germany which could receive Eastern TV. Its production values were high. Apart from song and dance numbers and appearances from East German celebrities, almost every broadcast featured well-known stars from the west, often after their popularity had peaked in their home countries.

Disco was a pop music program that aired in Germany on the ZDF network from 1971 to 1982. It generally aired on the first Saturday of each month at 7:30PM, each show running 45 minutes. 133 shows were produced. The show was hosted by German actor and comedian Ilja Richter. Its lesser known predecessor on ZDF, 4-3-2-1 Hot & Sweet was aired between 1966 and 1970, presenters included Ilja Richter and Suzanne Doucet. Disco generally served a younger pop-oriented audience compared to ZDF's Hitparade, and until 1972, its main competitor was Beat-Club, followed by Musikladen, both on ARD. Repeats of Disco have been aired since 1984 on ZDF Musikkanal, after its closedown in 1989 on 3sat. Since 2004, the digital ZDF Theaterkanal aired repeats of the entire series. In 2007, ZDF Dokukanal began to air reruns, starting with episodes from 1975 and also multiple repeats of the series have been shown on hit24 in 2008. The show focussed on chart hits current at the time of airing, giving about equal airtime to international pop music and German Schlager. Despite its name, it did not particularly focus on disco music although it featured many disco hits as long as they were chart relevant..

Philippe, Théo and Bob share the same cell in the prison of La Santé. Philippe, a young student, known as "Sciences-Po", is planning revenge against those who sent him to prison. He offers his two fellow prisoners, seasoned mobsters, to help him recover an important document from a diamond dealer in Le Havre. This paper would rehabilitate his father, his two comrades being able to keep the diamonds contained in the safe... But the coup does not go as planned.

The ZDF-Hitparade, or Hitparade for short, by German TV channel ZDF, was one of the most popular and most well-known music television series presenting mostly German Schlager.

In the sunny landscapes of Provence, Henri Arnaud is a conscientious law student who's got a lovely girlfriend, Tina. The person who used to pay for his studies dies and the poor young man's disposable funds are low. He asks an antique dealer if he can lend him some money. This shady guy agrees, but in return for homosexual relations. Henri kills him and runs away. Fortunately, a good judge, who bears the same name as him, comes to his rescue.

Ready Steady Go! is one of the UK's first rock/pop music television programmes and was a forerunner of MTV-type programming. It was conceived by Elkan Allan, head of Rediffusion TV. Allan was assisted by record producer/talent manager Vicki Wickham, who became the show's producer, and Michael Lindsay-Hogg who was appointed the show's director in 1965. It was broadcast from August 1963 until December 1966. It was produced by Associated-Rediffusion the weekday ITV contractor for London, called Rediffusion-London post 1964. The live show was eventually networked nationally. The show gained its highest ratings on 20 March 1964 when it featured the Beatles being interviewed and performing their songs "It Won't Be Long", "You Can't Do That" and "Can't Buy Me Love" - the last of which was a hit at the time. RSG! USA! was a Dick Clark production in 1964. A trademark infringement ended the show after six episodes. Its last episode was broadcast on 23 December 1966.

A yearly musical contest organized by the municipality of Viña del Mar, Chile which takes place during the last week of February at the Quinta Vergara Amphitheater since February 21, 1960.