Paris, France, 1979. Rose, a rebellious orphaned teenager, and Michel, a young aspiring painter, enjoy their crazy love under the neon lights of the decadent nightclub Le Palace, where they establish an ambiguous relationship with Lucille and Hubert, two bohemian bourgeois who will change their lives.

New Territories is a journey of initiation through faith and beliefs on the border between life and death. Two women poles apart, two paths: one is a living French businesswoman; the other is a Chinese textile worker. While Li Yu is preparing herself to reach Hong Kong clandestinely in search for a better life, Eve is conquering the Asian market with a new funeral rite.

Aldo, a young male nurse, is Lucie’s boyfriend, who is a student. When he loses his job, he desperately needs to find money so that he can keep paying for his fiancée’s studies. Persuaded by two blind friends of Lucie, he ends up becoming a sexbuddie for handicapped people, both men and women. Keeping this a secret from his fiancée, Aldo embarks on a new life that will totally transform him.

Justin & Almina leave Paris and the threat of an expulsion. They hitch-hike to Nevers, where an uncle lives. The cars do not stop. Their journey, on foot, along roads and fields, takes them to edge zones. As they wander, the slowly realize how far away they now stand from each other, their love and desire now gone.

Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70's Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?

Alberte has a passionate affair with Mathias, her doctor. He treats her under narcoanalysis to be able to detect a deeper symptom. He enters her without her knowing it and takes possession of his being in order to read what is chasing him, why people blame him, what is the strange disease that inhabits him.

A fictional process. An amorous relationship in the process of falling apart? A semblance of narrative, a sketch of diegesis, the fragments of an encounter between a man and a woman: an 'encounter of the crossing', marked by return, splitting, distance. Indecisive attitudes suddenly suspended or contradictory, toneless voices. Figures, and not characters. The figure is this form that approaches and frees itself from the notion of character, which reduces presence to a borderline state and ruins representation. The figure strays from the real. This obliteration and ambiguity of the figure signal the vagueness of the subject, the loss of its unity, a relationship to the world of order and enigma. The figure as a simple appearance, a mental projection.