Twelve-year-old Iwo lives in a small, post-communist town that is home to the old and destroyed Black Mill – once a place of work for many parents. Breaking the promise to not approach the old mill, the children accidentally unleash its evil powers. From that moment, nothing will ever be the same again as people and things start to disappear.

Bogdan and Roza are a dead marriage. They have been living together in one room, but they don’t speak to each other.

Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.

A group of social welfare workers led by their new director tries to provide necessary aid to people struggling with various problems.

A middle-aged man wants badly to change his life and go back to the times when he was young, happy and in love.

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

In a post-State gmina Osiek, on August 15th the plaque commemorating the liberation of the town from the hands of the Bolsheviks in 1920 will be unveiled. Vogt wants the event to be festive and to contribute to the promotion a the forgotten gmina. He needs a veteran, but where will he find a veteran of the 1920 war? Marian, a village shopkeeper, promises to “find” a veteran in excha

Adaś Miauczyński, a Polish intelectual, has severe alcohol problems which affect his relationship with his son Sylwek.

Polish crime / drama TV series portraying Warsaw police officers from Central Bureau of Investigations who got on the trail of counterfeit Euro banknotes which involves local gangsters and French crime syndicate.

A grotesque Shakespearean tale of Ubu who comes to power in a bloody way. When his absurd reforms fail and the treasury gets empty, Ubu and his flatterers start implementing terror across the country.

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.

Television film from the "Polish Holidays" series was made according to his own script by Ryszard Bugajski, creator of the famous "Interrogation". A tragicomic tale of life, transience and destiny that one cannot escape. The story of three generations - grandfather, father and son are together again, but all three realize that it is not for long. A serious illness does not give up. However, this meeting arranged by the junior on the occasion of Father's Day will teach them a lot, will allow them to learn other values, overcome their barriers, understand the meaning of life, throw out deeply hidden regrets and grievances, strengthen family ties, resolve disputes, clear up past misunderstandings and disputes.

A television staging of the 1941 Brecht play, The Resistible Rise of Arturo Ui.

Poland under Stalinist rule, 1953. A young nun Anna is brought to a prison where an influential priest is kept in. She discovers the priest is the man she loved a few years before. Communist authorities try to make her spy on him now.

Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

A TV adaptation of Sławomir Mrożek's play, about a family whose rejection of traditional values leads to erosion of their daily lives and Artur's, the youngest one's efforts to reinstate rules in the house.

The main character is Bogna, a thirty year old woman lost in her surrounding reality and unhappy in her private life. After her husband departs for a foreign scholarship, Bogna learns that her mother died. The trip to her hometown for the funeral becomes a voyage in time, during which she relives the memories of her idyllic childhood.

Hilda and Augusta - mother and daughter - live in a nursing homei. Daughter feels Pole, and mother - German. Thus they are not liked by surrounding people. Augusta decides to return home after many years. But it is not so easy...

The Master and Margarita (Mistrz i Małgorzata) is a four-part Polish television production based on the novel by Mikhail Bulgakov.

As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.

Władysław is declared a hero after controlling panic in a bank archive fire.

A young, idealistic poet, turns his back on civilization and goes to small, backwood village, rents a bed in the house of an old woman, and decides to make his living as a lumberjack. Soon he realizes that the world around him is far from perfect.

Two women meet in the hospital.

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

Coming of age story of four girls living in the same poor district of Warsaw just before the outbreak of World War One.