Journalist Claude Leroy (Jacques Champreux) reports that a secret society, The Companions of Baal, is behind a hold-up in the small town of Blaingirey. They are led by the Grand Maître Hubert de Mauvouloir (Jean Martin). An adorant of Lucifer, he aims to enslave the world. Accompanied by their acolyte, Pierrot Robichat (Gérard Zimmermann), and a young girl, Françoise Cordier (Claire Nadeau), Claude Leroy is determined to finally reveal the mysteries of the group's criminal enterprise.

A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.

A small-town policeman is informed that "naked women" are dancing in a revue at a local variety theater. Being the guardian of public morals that he is, he decides to stroll on down there and check it out for himself.

Françoise Marinier, a strong-willed young woman, won't accept a husband being forced on her. She left her family and moved to Paris, where she found work as a secretary for a fashionable artist, Edith Mars. The understanding Edith Mars encourages Françoise's budding love affair with an embassy attaché. Edith is the mistress of the Minister of Justice, and the Marinier parents arrive believing it's their daughter they're interviewing. While Mme Marinier puts up with it, her husband is scandalized. Gr ce to Edith, all confusion cleared up, the father is promoted to magistrate and Françoise marries.

Agnès de Louvigny, aviator, crashes with her plane on the villa of Martial Simonet, a fashion designer nicknamed La Patronne. But tourists are busy in front of the villa.

In this sketch comedy compared to the American film Hellzapoppin, a spectacle is put on to celebrate the wedding of a nobleman, but the results are disastrous.

A minister falls in love with a blind young woman he sheltered, but so does his son.

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.

An opera singer is stricken with amnesia and, on the evening of a premiere (in his stage costume which is that of a tramp), he goes to wander with real tramps.

Comedy about an older man wanting to marry a younger woman who must make sure first that the woman is not by chance his own daughter.

Six young boarding girls return home unexpectedly after their college has been destroyed by fire. Their unexpected presence arouses melodramatic reactions.

A kind and generous village noble, specializing in good works, actually leads a double existence and carries out dishonest activities.

Strange things are happening in the small town of Breuil-le-Château. Provisions from the black market are stolen regularly and wealthy young men, including the squire's son, start vanishing... Ransom demands are sent but with an illegible signature. The investigation is trusted to Ducreux, the local police brigadier. He is assisted by Carlier, a film director in search of locations for his next movie, who has been mistaken for a police inspector from Paris. The two men will have more than their share of surprises.

A scatterbrained girl harasses a lawyer in Cannes.

Micheline Chevassu is a young, naive woman living in an orphanage. Through classified ads, she has a date with an unknown man. She escapes from the orphanage to go to it, dreaming of the Prince Charming. But comes Nicolas Rougemont, an unattractive middle-aged man... He pretends not to be the author of the letters, who could not come...

Jeune Filles en Detresse (Young Girls in Distress) was director G. W. Pabst's last French production before his (ill-timed) return to Nazi-occupied Austria in 1941. Somewhat reminiscent of Maedchen in Uniform, the story is set in a private girl's school, populated almost exclusively by children from broken homes. Among the few students who can claim family stability is Micheline Presle, but even her happiness is threatened when her lawyer father Andre Luguet inaugurates an affair with stage actress Jacqueline Debulac. With the help of Debulac's daughter Louisa Carletti, Presle is able to break up her father's romance and deliver him into the open arms of her mother Marcelle Chantal. On the whole, the performance by the younger cast members are more convincing than those rendered by the film's so-called adults.