Practical semester at the Halle/Saale Police College: Finally out of the seminar rooms and into real life - which for the students means: real murder cases. With the support of their trainers in the homicide squad, they will have to solve this. The beginners sometimes overshoot the mark, make mistakes and have to learn new things on their way to becoming fully qualified detectives. In each episode, a case between the university and real life is dissected, discussed and solved, while the private complications of the students, lecturers and trainers are not neglected.

Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.

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