Seeking revenge on the girl she blames for her brother's death, a Kitzbühel waitress infiltrates the glitzy world of a group of wealthy Munich teens.

A psychotic, bunny-masked serial killer is on the prowl, carving up local perverts. Meanwhile, a disturbed young man's therapy session takes a dark and violent turn. Is his therapist the bunny-masked killer? From the makers of How Not To Work and Claim Benefits (& other useful information for wasters).

Politician Peter Laurence's private life is falling apart. Shamelessly untroubled by guilt or remorse, he seeks to further his own agenda whilst others plot to bring him down. Can he out-run his own secrets to win the ultimate prize?

Catherine and her family recently moved into a converted church. Upon moving in, they have been harassed by an unknown religious stalker, claiming them to be sinners. Pamela, Catherine's grandmother soon begins to reveal she has secrets hidden to the local church, and not all is as it seems. Each night the Nun returns, and this time, she is looking to claim more than one soul.

The Tooth Fairy is back. 15 years after the events of the first movie, Corey, now grown up but mentally scarred has gone to a class reunion. However, the Tooth Fairy is back, and this time - You better have flossed properly.

After his wife tragically dies, a desperate widowed husband finds a service online that can bring her back - but not all is as it seems.

A middle-aged man recently ditched by his long-term girlfriend, ‘Karl’ lives with his elderly Auntie and his closest companion is his doppelgänger alter ego.

A teacher and a surgeon are rocked by scandalous accusations after they enjoy a seemingly innocent date.

A thriller centered on a young boxer trying to distance himself from his father's gangster past and the relationship with his trainer.

In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.