A housewife, wife of an influential businessman, vanishes. Her neighbor decides to investigate.

In Hanoi, a French couple who had come to adopt a baby met Maï, an old woman who had a love affair with a French officer in 1945. She tells how, sent by de Gaulle to restore order, Leclerc negotiates with Ho Chi Minh, against the advice of d'Argenlieu, the high commissioner.

Sexy, gritty and as provocative as a lap dance, The Bathers takes an insider's look at the lives of six women working as dancers at a seedy Parisian peep show. Governed by their overprotective boss, the girls' routine of glittery neon lights and lecherous customers is soon disrupted when an enigmatic stranger enters the scene. Now, drugs, sex and bickering all take a back seat as the girls unite to save this man haunted by a mysterious past and unforgiving demons. A fascinating glimpse into a world of back alleys and primal instincts, The Bathers transports us to a netherworld where the show always goes on.

After Polish-born writer-director Janusz Mrozowski, a French resident for the past 30 years, made a series of 30-minute films based on African writings, he was approached by Africans to do a cinematic survey of past events in African history. Filming in Burkina Faso, Mrozowski responded with this comedy about a dictator kidnapped from the present-day and taken back through the mists of time. There he meets the mother of humanity, Lucy, who teaches him the basics of sexual equality. By the time he returns to the present, he's also received an education in 16th-century slave-trading and European influences on Africa.

Loic and Sophie are siblings living with their mother in a block of flats. The impetuous, promiscuous Loic is a talented photographer about to make it to the big time, but being pulled back by loyalty to his best friend and ex-lover, both junkies. Sophie, a schoolgirl on holidays, is quietly undergoing a sexual awakening, observing from a distance Loic's milieu; she begins an affair with his business partner to Loic's quasi-incestuous disapproval. Loic is spotted by a prominent editor, but becomes increasingly unhinged, by his friend's violent struggles with dealers, by his lover's demands, by Sophie's 'betrayal', by his own 'demons'. Tragedy inevitably strikes.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

A young girl sees the theater in which her parents play burn down, and they disappear in the fire. Twenty years later, the orphan girl, who has become an actress, is summoned by a director who wants to remount the play and offers her the role of her mother on condition that she finds the text. Immediately, and as if by magic, the father, like the ghost of the opera, reappears and dictates his conditions for access.

In 1929, Mr. Messier, owner of a small print shop in a village in Quebec became a widower, he lives with his two children, Rachel, 9 years old, and Gaëtan, 7 years old. In this closed universe and in the absence of their mother, a great complicity is established between the children.

A drama directed by Sherry Hormann.

Les équilibristes, a film by Nico Papatakis with Michel Piccoli, inspired by Jean Genet, was broadcast in two parts on October 11 and 18, 1991, on the Sept. It was on this occasion that Philippe Grandrieux directed this short film for the Seven antenna, consisting of an interview with Nico Papatakis and the reading of excerpts from Jean Genet's text, “The Tightrope walker”, read by the actress Ann-Gisel Glass.

Without fear and beyond reproach: the life of the brave knight de Bayard reviewed and corrected with humorous sauce.

After spending three years doing field installation work in West Africa, Fred returns home to his old neighbourhood, an industrial region on the outskirts of a major city. He is filled with confidence and optimism for a new start. He has brought home with him a pile of money that he made in Africa. But he never wrote to his wife Rita. He only wired her a money transfer every month. In the meantime, Rita has a new life that she now shares with a GI. Fred rents a room in the "Royal", a sleazy hotel. There, he meets Alma, who takes care of the rooms and the guests and who is being kept by her sugar daddy - the aging hotel director. A passionate encounter with his old girlfriend Vera, who had high hopes for the two of them at some earlier time, dissipates into a brief carnal episode

Paris, October 1948. Nino, Gilles, Donald, Barbara and their friends are a new breed of spectators. They discover the cinema as art, they are moviegoers. They will try to realize their grand project: to found a film club. "My film first wants to be a testimony of young people who have lived for a passion. Cinema"

Three young friends steal some music equipment for their struggling post-punk band and, in a panic, kill the shop’s owner. Assayas’ debut feature examines, with characteristic restraint and acuity, the psychological fallout as the band unravels—and each of its members grapple with their own feelings of guilt, paranoia, and despair.

Leaving prison, Paul goes to the port. That's where he lived and where he got caught. This is also where his father died. And before leaving to try his luck elsewhere, Paul wants to avenge him.

In a villa by the sea, in August, a woman spends her vacation with another young woman, her son and an au pair. She awaits the return of her husband who comes to join her; the au pair is also waiting for this return...

French rocker Johnny Halliday stars as a professional thief just released from jail. He returns to stealing to support his family. After several successful thefts, he decides to include his under-aged kid into the "family business".

Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.

Emile Chenal and his wife, Françoise, leaned on boxing manager Jim Fox Warner to cough up the considerable sum of money that he owes them, with both the police and the mob circling the situation. In the same hotel, Inspector Neveu looks into a murder that took place years before, and his storyline overlaps with the arc of the Chenals.

Hanna is a girl completely abandoned to herself, is not at all inhibited sexually, and is attracted to the attention of unscrupulous people like Miguel, who takes advantage of Hanna, turning her to prostitution to obtain her drug fix. Until she meets Alex, a young man with a sincere affection for Hanna.

One hundred years after a nuclear war has devastated the planet, society has been reborn into two factions; the underground society and the scavangers above in the wastelands. A group of scavangers on bikes come across a town infested with flesh eating rats, and soon the gore is spilling everywhere.

During a game of rite-of-passage, a couple of teenagers dive in the deep waters of a swimming-pool where they discover another dimension.