When three witches tell Macbeth that he is destined to occupy the throne of Scotland, he and his wife choose to become the instruments of their fate and to kill the first man standing in their path, the virtuous King Duncan. But to maintain his position, Macbeth must keep on killing – first Banquo, his old comrade-in-arms; then, as the atmosphere of guilt and paranoia thickens, anyone who seems to threaten his tyrant’s crown.

An encounter with an unforgettable legend: Bette Bourne, reveals his varied life through a series of interviews, partly based on a theatre collaboration between Bourne and Ravenhill. This is a richly enjoyable exploration of the life of a born performer with some great archive footage and rare photographs. A highly successful career on the London stage was put on hold when Bette discovered gay liberation. But out of a gay drag commune in Notting Hill, Bette fashioned a glorious theatre troupe Bloolips, bringing together a unique blend of costume, camp and musical theatre leavened with sexual politics. The film offers an insight into a passionate and gifted actor who has made a great contribution to gay life, art and politics.

The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.

Quentin Crisp was a writer, raconteur, social rebel, and "professional being". He was nearly 91 when he died of heart failure in 1999, and his death powerfully affected those who loved him. In this portrait, Tim Fountain (Crisp's biographer, and author of the play RESIDENT ALIEN) interviews friends and family of Crisp, to learn something of the significance of his death, and the "enigma of his life".

March 1999. Tim Fountain and Bette Bourne meet Quentin Crisp in his famously filthy New York apartment for one of his very last interviews before his sudden death in England a few months later during Tim and Bette's production of Resident Alien, a play based on Quentin's life and writing at the Bush Theatre, London.

Kenneth Cranham and Rachel Davies star as the parents of 19-year-old Marian Fairley, who finds a pair of women's knickers in her husband's laundry. Outraged to think he is having an affair, she takes the TV, the microwave and the baby, and moves in with her parents down the road. But an even bigger shock awaits her.

Caught Looking sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (naval rough trade, a moustachioed 'clone', a 50s muscle man) while offering wry commentary on the shifting landscape of queer cruising. But is it love he’s really looking for?

The reign of Edward II, King of England, is troubled from the start when he brings his male lover, hated by the nobles, out of exile.

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.

The Avengers is a British television series created in the 1960s. It initially focused on Dr. David Keel and his assistant John Steed. Hendry left after the first series and Steed became the main character, partnered with a succession of assistants. His most famous assistants were intelligent, stylish and assertive women: Cathy Gale, Emma Peel and Tara King. Later episodes increasingly incorporated elements of science fiction and fantasy, parody and British eccentricity.