Based on a novel that Albert Camus was working on when he died, we follow Jacques Comery as he travels back to Algeria in 1957, a place full of childhood memories. The country is split between those wanting to remain a part of France, and those demanding independence. Reminiscences of his mother, his stern grandmother and a young Arab boy come flooding back.

The stories of the people of Villeneuve, a fictional subprefecture, in the Jura, in German–occupied France during the Second World War.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

To make her meeting with her lover Bernard, Françoise needs Julien's help. Julien is 11, Françoise, 14. They're brother and sister.

Forced to work extremely hard to keep things afloat, Paul begins hearing voices in his head questioning the choices he's made. He's convinced that his wife has been unfaithful and starts to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind - hell is himself.

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.